From the Man Booker Prize–winning author of The Line of Beauty: a magnificent, century-spanning saga about a love triangle that spawns a myth, and a family mystery, across generations.
In the late summer of 1913, George Sawle brings his Cambridge schoolmate—a handsome, aristocratic young poet named Cecil Valance—to his family’s modest home outside London for the weekend. George is enthralled by Cecil, and soon his sixteen-year-old sister, Daphne, is equally besotted by him and the stories he tells about Corley Court, the country estate he is heir to. But what Cecil writes in Daphne’s autograph album will change their and their families’ lives forever: a poem that, after Cecil is killed in the Great War and his reputation burnished, will become a touchstone for a generation, a work recited by every schoolchild in England. Over time, a tragic love story is spun, even as other secrets lie buried—until, decades later, an ambitious biographer threatens to unearth them.
Rich with Hollinghurst’s signature gifts—haunting sensuality, delicious wit and exquisite lyricism—The Stranger’s Child is a tour de force: a masterly novel about the lingering power of desire, how the heart creates its own history, and how legends are made.
This eBook edition includes a Reading Group Guide.
Hollinghurst, author of the Man Booker Prize winning The Line of Beauty, published seven years ago, stakes his claim for Most Puckishly Bemused English Novelist with this rambunctious stepchild to the mannered satires of Henry Green, E.M. Forster, and especially Evelyn Waugh. Fancy young George Sawle returns from Cambridge in 1913 to his family estate of Two Acres in the company of the dashing poet Cecil Valance, secretly his lover. Cecil enjoys success and popularity wherever he goes, and George's precocious sister, Daphne, falls under his spell. To her he gives a poem about Two Acres, a work whose reputation will outlive Cecil, for he is fated to perish in WWI. Hollinghurst then jumps ahead to Daphne's marriage to Cecil's brother Dudley and commences the series of generation-spanning indiscretions and revisionist biographies that complicate Cecil's legacy: he is variously a rebel, a tedious war poet, and, possibly, the father of Daphne's daughter. Time plays havoc with fashions, relationships, and sexual orientation; the joke is on the legions of memoirists, professors, and literary treasure hunters whose entanglements with eyewitnesses produce something too fickle and impermanent to be called legend. Hollinghurst's novel, meanwhile, could hardly be called overserious, but nearly 100 years of bedroom comedy is a lot to keep up with, and the author struggles at times to maintain endless amusement over the course of the five installments that make up this book. But convolution is part of the point. A sweet tweaking of English literature's foppish little cheeks by a distinctly 21st-century hand. Longlisted for the 2011 Man Booker Prize.
The novel can be best described as tedious, overly long, overly descriptive. You bear the tedium in the hopes of a satisfying conclusion, there isn't one.