Prospero, a mage and former Duke of Milan, and his daughter Miranda have been stranded for 12 years on an island. Prospero's brother Antonio, who deposed him, is shipwrecked with his son Ferdinand. By the end Ferdinand and Miranda are married and Prospero, after abjuring magic, regains his title and forgives his betrayers.
Prospero-like in their artistry, Spirin's dazzling watercolors dominate this retelling of Shakespeare's final play. Shaped like altar panels fit for a Renaissance church or palace, the illustrations are romantic, regal and magical, richly interpreting the play's themes of betrayal, revenge and all-conquering love. A wispy ethereal air pervades island scenes, beautifully suggesting the atmosphere of enchantment, while Antonio and the King of Naples are pictured in brocade and velvet, the stench of power upon them. The other characters, too, are both otherworldly and very much flesh and blood. Especially well rendered is the monster Caliban, shown here as part man, part beast, part mythical creature, a sense of evil glee lighting his features. While this prose adaptation does not, of course, retain the full magic of the Bard's work, Beneduce nonetheless provides an intelligent, gripping story. Several passages from Shakespeare introduced at key points give a taste of the original. Symbols and small pictures integrated into the text further enhance the lavish presentation. All ages.
The description is incorrect- Ferdinand is the son of Alonso, the King of Naples, who worked with Prospero’s brother, Antonio, to dethrone him of his dukedom. Antonio’s son is a very minor and barely mentioned character.