By the New York Times bestselling author of The Bone Clocks and Cloud Atlas | Longlisted for the Man Booker Prize
In 2007, Time magazine named him one of the most influential novelists in the world. He has twice been short-listed for the Man Booker Prize. The New York Times Book Review called him simply “a genius.” Now David Mitchell lends fresh credence to The Guardian’s claim that “each of his books seems entirely different from that which preceded it.” The Thousand Autumns of Jacob de Zoet is a stunning departure for this brilliant, restless, and wildly ambitious author, a giant leap forward by even his own high standards. A bold and epic novel of a rarely visited point in history, it is a work as exquisitely rendered as it is irresistibly readable.
The year is 1799, the place Dejima in Nagasaki Harbor, the “high-walled, fan-shaped artificial island” that is the Japanese Empire’s single port and sole window onto the world, designed to keep the West at bay; the farthest outpost of the war-ravaged Dutch East Indies Company; and a de facto prison for the dozen foreigners permitted to live and work there. To this place of devious merchants, deceitful interpreters, costly courtesans, earthquakes, and typhoons comes Jacob de Zoet, a devout and resourceful young clerk who has five years in the East to earn a fortune of sufficient size to win the hand of his wealthy fiancée back in Holland.
But Jacob’s original intentions are eclipsed after a chance encounter with Orito Aibagawa, the disfigured daughter of a samurai doctor and midwife to the city’s powerful magistrate. The borders between propriety, profit, and pleasure blur until Jacob finds his vision clouded, one rash promise made and then fatefully broken. The consequences will extend beyond Jacob’s worst imaginings. As one cynical colleague asks, “Who ain’t a gambler in the glorious Orient, with his very life?”
A magnificent mix of luminous writing, prodigious research, and heedless imagination, The Thousand Autumns of Jacob de Zoet is the most impressive achievement of its eminent author.
Praise for The Thousand Autumns of Jacob de Zoet
“A page-turner . . . [David] Mitchell’s masterpiece; and also, I am convinced, a masterpiece of our time.”—Richard Eder, The Boston Globe
“An achingly romantic story of forbidden love . . . Mitchell’s incredible prose is on stunning display. . . . A novel of ideas, of longing, of good and evil and those who fall somewhere in between [that] confirms Mitchell as one of the more fascinating and fearless writers alive.”—Dave Eggers, The New York Times Book Review
“The novelist who’s been showing us the future of fiction has published a classic, old-fashioned tale . . . an epic of sacrificial love, clashing civilizations and enemies who won’t rest until whole family lines have been snuffed out.”—Ron Charles, The Washington Post
“By any standards, The Thousand Autumns of Jacob de Zoet is a formidable marvel.”—James Wood, The New Yorker
“A beautiful novel, full of life and authenticity, atmosphere and characters that breathe.”—Maureen Corrigan, NPR
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Mitchell s rightly been hailed as a virtuoso genius for his genre-bending, fiercely intelligent novels Ghostwritten and Cloud Atlas. Now he takes something of a busman s holiday with this majestic historical romance set in turn-of-the-19th-century Japan, where young, na ve Jacob de Zoet arrives on the small manmade island of Dejima in Nagasaki Harbor as part of a contingent of Dutch East Indies officials charged with cleaning up the trading station s entrenched culture of corruption. Though engaged to be married in the Netherlands, he quickly falls in hopeless love with Orito Aibagawa, a Dutch-trained Japanese midwife and promising student of Marinus, the station s resident physician. Their courtship is strained, as foreigners are prohibited from setting foot on the Japanese mainland, and the only relationships permitted between Japanese women and foreign men on Dejima are of the paid variety. Jacob has larger trouble, though; when he refuses to sign off on a bogus shipping manifest, his stint on Dejima is extended and he s demoted, stuck in the service of a vengeful fellow clerk. Meanwhile, Orito s father dies deeply in debt, and her stepmother sells her into service at a mountaintop shrine where her midwife skills are in high demand, she soon learns, because of the extraordinarily sinister rituals going on in the secretive shrine. This is where the slow-to-start plot kicks in, and Mitchell pours on the heat with a rescue attempt by Orito s first love, Uzaemon, who happens to be Jacob s translator and confidant. Mitchell s ventriloquism is as sharp as ever; he conjures men of Eastern and Western science as convincingly as he does the unscrubbed sailor rabble. Though there are more than a few spots of embarrassingly bad writing ( How scandalized Nagasaki shall be, thinks Uzaemon, if the truth is ever known ), Mitchell s talent still shines through, particularly in the novel s riveting final act, a pressure-cooker of tension, character work, and gorgeous set pieces. It s certainly no Cloud Atlas, but it is a dense and satisfying historical with literary brawn and stylistic panache.
Customer ReviewsSee All
layered. lyrical. atmospheric. immersive. interesting juxtaposition of grit and graft and orderly tradition. a beautiful and beautifully written historic novel.
This writer could become my favorite of all time. After reading Cloud Atlas, I had to see if he could possibly come close to repeating such greatness. This book did not disappoint me. I am very excited to know that he has more for me to read.
One of my favorites
Loved this book. I'm not usually interested in historical fiction as it can be quite dull depending on the author, but David Mitchell really makes the genre intriguing and pulls you in from the first chapter. Great characters, a picturesque setting, and excellent writing that is true to the period each make this book a truly enjoyable read. I will recommend this book to everyone I know and it will be re-read. The Thousand Autumns of Jacob De Zoet is one of my favorite books in quite a long time.