Three sisters. Motherless daughters of the high king. The eldest is the warrior-woman heir; the middle child is shy and full of witchy intuition; and the youngest, Princess Amelia, she is as beautiful as the sun and just as generous.
Ami met her Prince Charming and went away to his castle on the stormy sea-cliffs—and that should have been her happily ever after. Instead, her husband lies dead and a war rages. Her middle sister has been taken into a demon land, turned into a stranger. The priests and her father are revealing secrets and telling lies. And a power is rising in Ami, too, a power she hardly recognizes, to wield her beauty as a weapon, and her charm as a tool to deceive. . .
Amelia has never had to be anything but good and sweet and kind and lovely. But the chess game for the Twelve Kingdoms has swept her up in it, and she must make a gambit of her own. Can the prettiest princess become a pawn—or a queen?
Praise for The Twelve Kingdoms
"Well-written and swooningly romantic." —Library Journal, starred review
"Will captivate you from beginning to end with a richly detailed fantasy world."
—RT Book Reviews
The second Twelve Kingdoms fantasy novel (after The Mark of the Tala) concerns itself with the second of three princesses, a young woman who's half human and half Tala demon. Princess Amelia has never had to be anything other than a petulant child with a pretty face, and unfortunately, that is who she remains for the first half of the book. The setting shows promise, but the story lacks substance, and while copious time is spent on establishing the princess as a spoiled brat, comparatively little is given to her transformation into a wise and noble lady a transformation that happens with astounding speed and little explanation. The political intrigue and maneuvering, much of it involving a powerful church that Amelia somehow knows very little about, are crammed into a few rushed final chapters, but most readers will have given up long before that point.