The Underdogs (Los De Abajo)
“Government is nothing but the regulated injustice that every rascal has in his heart.”
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4.0 • 2 Ratings
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- $3.99
Publisher Description
Mariano Azuela, the first of the “novelists of the Revolution,” was born in Lagos de Moreno, Jalisco, Mexico, in 1873. He studied medicine in Guadalajara and returned to Lagos in 1909, where he began the practice of his profession. He began his writing career early; in 1896 he published Impressions of a Student in a weekly of Mexico City. This was followed by numerous sketches and short stories, and in 1911 by his first novel, Andres Perez, Maderista. Like most of the young Liberals, he supported Francisco I. Madero’s uprising, which overthrew the dictatorship of Porfirio Diaz, and in 1911 was made Director of Education of the State of Jalisco. After Madero’s assassination, he joined the army of Pancho Villa as doctor, and his knowledge of the Revolution was acquired at firsthand. When the counterrevolutionary forces of Victoriano Huerta were temporarily triumphant, he emigrated to El Paso, Texas, where in 1915 he wrote The Underdogs (Los de abajo), which did not receive general recognition until 1924, when it was hailed as the novel of the Revolution. But Azuela was fundamentally a moralist, and his disappointment with the Revolution soon began to manifest itself. He had fought for a better Mexico; but he saw that while the Revolution had corrected certain injustices, it had given rise to others that were equally deplorable. When he saw the self-servers and the unprincipled turning his hopes for the redemption of the underprivileged of his country into a ladder to serve their own ends, his disillusionment was deep and often bitter. His later novels are marred at times by a savage sarcasm During his later years, and until his death in 1952, he lived in Mexico City writing and practicing his profession among the poor.
PUBLISHERS WEEKLY
If Los de abajo , long considered one of the masterpieces of revolutionary literature in Mexico, has not received wide recognition north of the border, it is not for lack of trying. This is its fourth translation into English. Azuela himself described the book as ``a series of sketches and scenes of the constitutionalist revolution,'' at the center of which is Demetrio Macias, an Indian farmer who, following a petty fight with the local boss, became a bandit--which in 1913-1916 was basically the same thing as a revolutionary. His heroism must be read in the context of fellow rebels, like Luis Cervantes, the sometime journalist who spouts heroic claptrap between bouts of cowardice and avarice, or the brutal and crude Margarito. Unlike Azuela, who was a medical officer with Pancho Villa's forces, Macias does not know for whom or what he is fighting and is eventually trapped. Fornoff has wisely avoided translating the quickly outmoded Spanish slang into equally transient English; rather, he leaves Azuela's spare, lucid prose to tell its own story of the tyranny of revolution. This volume in the Pittsburgh Editions of Latin American Literature also includes scholarly essays by Carlos Fuentes, Seymour Menton and Jorge Ruffinelli.