The Usual Mistakes
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- $9.99
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- $9.99
Publisher Description
These characters may be the usual suspects, making the usual mistakes, but their stories are not the usual fare. Populated by pretenders, ex-cons, and wannabes who bend the rules, break the law, and risk everything to salvage their own hearts, the twelve stories in The Usual Mistakes conduct readers into a world where betrayal is just a beginning. Deception, infidelity, even death—where a person goes from there is the mainspring of Erin Flanagan’s fiction, and in the turns her characters take, we find rare insights: that we are often wedded to one another because of, not in spite of, our flaws and that this paradoxical connection may be cause for hope. An impostor medical assistant and an ex-neo-Nazi, covered head-to-toe in swastika tattoos; a seemingly oafish but suddenly sympathetic husband and a boorish mother-in-law in need of comforting; a young boy who finds adulthood by learning to forgive: the characters in these stories are by turns inappropriate, outlandish, selfish, and kind, complicated in the ways only real people are. Though they ask for little and rarely get even that, they do astonishing things with whatever does come their way; and their stories, in Flanagan’s sure hands, never fail to surprise.
PUBLISHERS WEEKLY
This debut story collection from Prairie Schooner editorial assistant Flanagan is the second in Nebraska's Flyover Fiction series, named, with ironic Midwestern self-deprecation, for the "flyover" states on which its books center. The title story leads off: Eleanor, a 31-year-old Omaha widow, a former Best Western receptionist who forged credentials when it converted to a hospital, works as a medical assistant in that hospital and takes in a laser surgery patient as a renter so she can make her mortgage payments; Eleanor photographs her young female tenant's neo-Nazi tattoos covering her body for her file of "visible mistakes," and the two eventually identify ties that bridge age and class barriers. In "Intervention," another standout among the 12 pieces, Kate's boyfriend drags her to Myrtle Beach, where his mother has plotted to end his father's drinking; rather than a somber attempt to turn someone's life around, the intervention (the third in three years) most closely resembles a Super Bowl party. The homogeneity of Flanagan's characters, as bright and clear as they are, threatens to spoil the whole, but the inventiveness of her deceptively mild plots keep common themes fresh.
