The Way Back Home
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4.7 • 10 Ratings
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- $10.99
Publisher Description
From the illustrator of the #1 smash hit The Day the Crayons Quit comes an imaginative tale of friendship in a world where what makes us different isn't nearly as important as what makes us the same.
When a boy discovers a single-propeller airplane in his closet, he does what any young adventurer would do: He flies it into outer space! Millions of miles from Earth, the plane begins to sputter and quake, its fuel tank on empty. The boy executes a daring landing on the moon . . . but there’s no telling what kind of slimy, slithering, tentacled, fangtoothed monsters lurk in the darkness! (Plus, it’s dark and lonely out there.) Coincidentally, engine trouble has stranded a young Martian on the other side of the moon, and he’s just as frightened and alone. Martian, Earthling—it’s all the same when you’re in need of a friend.
PUBLISHERS WEEKLY
Jeffers's (The Incredible Book Eating Boy) arrestingly illustrated book begins with the creation of a spare watercolor world "a single, nameless boy on a deserted beach. Quickly the story takes a surprising turn: the boy finds an airplane in his closet and crashes it on the moon. When he's joined by a similarly stranded Martian, the two strangers hatch a scrappy plan for rescue, suggesting a moral: it's good to work together. After the unusual narrative leaps at the beginning of the story, the message feels a little forced, and it's less fun than expected. Even so, a quality reminiscent of TheLittle Princecomes through, not just in the lone boy/outer-space setting, but in the balance between the humor in the predicament and loneliness. These two emotions are matched perfectly by the mixed-media art. Colorful figures swim in vast amounts of negative space, isolated and a bit melancholy, but their postures and faces are playful, almost comic. An odd scale and lopsided figures suggest a world off-kilter, while silly monsters and impossible feats keep things light. With uneven graphite outlines on watercolor-soaked paper that reveals the grain of the paper, the overall effect is tactile, textured and even a little childlike. Ages 4-up.
