By the co-writer of the HBO miniseries The Night Of
Richard Price's New York Times bestseller, The Whites, is an electrifying tale of a New York City police detective under siege-by an unsolved murder, by his own dark past, and by a violent stalker seeking revenge.
Back in the run-and-gun days of the mid-1990s, when a young Billy Graves worked in the South Bronx as part of an aggressive anti-crime unit known as the Wild Geese, he made headlines by accidentally shooting a ten-year-old boy while struggling with an angel-dusted berserker on a crowded street. Branded as a loose cannon by his higher-ups, Billy spent years enduring one dead-end posting after another. Now in his early forties, he has somehow survived and become a sergeant in Manhattan Night Watch, a small team of detectives charged with responding to all post-midnight felonies from Wall Street to Harlem. Mostly, his unit acts as little more than a set-up crew for the incoming shift, but after years in police purgatory, Billy is content simply to do his job.
Then comes a call that changes everything: Night Watch is summoned to the four a.m. fatal slashing of a man in Penn Station, and this time Billy's investigation moves beyond the usual handoff to the day tour. And when he discovers that the victim was once a suspect in the unsolved murder of a twelve-year-old boy-a savage case with connections to the former members of the Wild Geese-the bad old days are back in Billy's life with a vengeance, tearing apart enduring friendships forged in the urban trenches and even threatening the safety of his family.
Razor-sharp and propulsively written, The Whites introduces Harry Brandt--a new master of American crime fiction.
Price (Lush Life) is one whale of a storyteller by any name, as evinced by the debut of his new brand okay, Brandt a gripping, gritty, Greek tragedy of cops, killers, and the sometimes-blurry line between them. The sprawling tale centers on stoic police sergeant Billy Graves, banished to the purgatory of the NYPD's night watch since his role in a racially charged, politically explosive double shooting a decade earlier. Despite the adrenaline-pumping emergencies that routinely erupt during his 1 8 a.m. tour, he has time to obsess over his troubled wife, Carmen; his increasingly demented father, Billy Sr., a retired former chief of patrol; and, most of all, his "White" (that's what Billy, with a harpoon salute to Melville's tormented mariner, calls the one who got away): triple-murderer Curtis Taft. He's the elusive monster Billy is fated to hunt, probably even after retirement to judge from the way Billy's former colleagues in the Bronx, a group calling themselves the Wild Geese, continue to hunt their own Whites. Suddenly, one of Billy's friends' Whites turns up murdered amid a St. Patrick's Day scrum at Penn Station. Soon a second disappears. And then it starts to look as if someone is stalking Billy's family. The author skillfully manipulates these multiple story lines for peak suspense, as his arresting characters careen toward a devastating final reckoning. Author tour.
I found the book difficult to read.
I was dissatisfied with this story. I did not enjoy the "police" jargon and found the flow very difficult to follow. I was dissatisfied with the storyline and the ending. I wouldn't recommend this book.
Not worth the time.
This guy writes really well for a cop.