The Wind in the Willows is a classic of children's literature by Kenneth Grahame. Alternately slow moving and fast paced, it focuses on four anthropomorphized animal characters in a pastoral version of England. The novel is notable for its mixture of mysticism, adventure, morality, and camaraderie and celebrated for its evocation of the nature of the Thames valley.
A book that we all greatly loved and admired and read aloud or alone, over and over and over: The Wind in the Willows. This book is, in a way, two separate books put into one. There are, on the one hand, those chapters concerned with the adventures of Toad; and on the other hand there are those chapters that explore human emotions—the emotions of fear, nostalgia, awe, wanderlust. My mother was drawn to the second group, of which "The Piper at the Gates of Dawn" was her favorite, read to me again and again with always, towards the end, the catch in the voice and the long pause to find her handkerchief and blow her nose. My father, on his side, was so captivated by the first group that he turned these chapters into the children's play, Toad of Toad Hall. In this play one emotion only is allowed to creep in: nostalgia.
A few literary staples get a new look this season, while others are adapted and retold. Mole, Rat, Badger and Toad return in Kenneth Grahame's turn-of-the-20th-century classic, The Wind in the Willows (1908), newly illustrated by Michael Foreman. The keepsake edition presents Grahame's unabridged text alongside illustrations of the picnic-bound Mole and Rat capsizing their boat into a watery blue-green world and carolers bringing Yuletide joy to Mole End. Back matter contains a brief biography of the author as well as reproductions of original letters that Grahame sent to his young son, containing the seeds of the story.