The Winter of Our Disconnect
How Three Totally Wired Teenagers (and a Mother Who Slept with Her iPhone)Pulled the Plug on Their Technology and Lived to Tell the Tale
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- $6.99
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- $6.99
Publisher Description
The wise and hilarious story of a family who discovered that having fewer tools to communicate with led them to actually communicate more.
When Susan Maushart first announced her intention to pull the plug on her family's entire armory of electronic weaponry for six months-from the itsy-bitsiest iPod Shuffle to her son's seriously souped-up gaming PC-her three kids didn't blink an eye. Says Maushart: "Looking back, I can understand why. They didn't hear me."
For any parent who's ever IM-ed their child to the dinner table, this account of one family's self-imposed exile from the Information Age will leave you LOLing with recognition. But it will also make you think.
The Winter of Our Disconnect challenges readers to examine the toll that technology is taking on their own family connections, and to create a media ecology that instead encourages kids-and parents-to thrive. Indeed, as a self-confessed single mom who "slept with her iPhone," Maushart knew her family's exile from Cyburbia wasn't going to be any easier for her than for her three teenagers, ages fourteen, fifteen, and eighteen. Yet they all soon discovered that the rewards of becoming "unplugged" were more rich and varied than any cyber reality could ever be.
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Maushart (The Mask of Motherhood) embarked with her three teenagers on a six-month screen blackout (no cellphones, iPods, PCs, laptops, game stations, or television) to discover if the technology intended to stimulate and keep us virtually more connected was, as she suspected, making us actually more disconnected and distracted. Ironically, Maushart may have gone screen-dark, but her writing remains riddled with "textspeak" "LOLs," "WTFs," emoticons and exhausting chipperness and self-conscious "hipness," which all distract from an otherwise intelligent and eloquent core text. Funny and poignant precisely when it is not trying to be, this book vacillates between diary entries (written longhand) and deeply researched reportage, which brings needed balance to the subject of new media, often touted as either the answer to all of our problems or the accelerant of societal doom. What Maushart's experiment uncovers is a commonsense conclusion: in a world of proliferating demands on our attention, exercising the on/off switch is the ultimate practice in understanding connection.