Things Become Other Things

A transformative 300-mile walk along Japan’s ancient pilgrimage routes and through depopulating villages inspires a heart-rending remembrance of a long-lost friend, documented alongside remarkable photographs.
 
Photographer and essayist Craig Mod is a veteran of long solo walks. But in 2021, during the pandemic shutdown of Japan’s borders, one particular walk around the Kumano Kodō routes—the ancient pilgrimage paths of Japan’s southern Kii Peninsula—took on an unexpectedly personal new significance. While passing the peninsula’s shrinking villages, Mod found himself reflecting on his own childhood in a post-industrial American town, his experiences as an adoptee, his unlikely relocation to Japan as a student at age nineteen, and his relationship with one lost friend, whose life was tragically cut short after their paths diverged. As the days passed, he considered why he has walked so rigorously and religiously during his twenty-five years as an immigrant in Japan, contemplating the power of walking itself. For Mod, solo walks are a tool to change the very structure of his mind, to better himself, and to bear witness to a quiet grace visible only when “you’re bored out of your skull and the miles left are long.” 

Through the frame of a 300-mile-long pilgrimage walk, Things Become Other Things folds together history, literature, poetry, Shinto and Buddhist spirituality, and contemporary rural life in Japan via dozens of conversations with aging fishermen, multi-generational inn owners, farmers, and kissaten cafe “mamas.” Along the way, Mod communes with mountain fauna, marvels over evidence of bears and boars, and hopscotches around leeches. He encounters whispering priests and foul-mouthed little kids who ask him "just what the heck are you, anyway?" Through sharp prose and his curious archive of photographs, he records evidence of floods and tsunamis, the disappearance of life on the peninsula, and the capricious fecundity of nature.

Things Become Other Things blends memoir and travel writing at their best, transporting readers to an otherwise inaccessible Japan, one only made visible through Mod’s unique bicultural lens.