Thinking Like Your Editor: How to Write Great Serious Nonfiction and Get It Published
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5.0 • 4 Ratings
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- $12.99
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- $12.99
Publisher Description
Distilled wisdom from two publishing pros for every serious nonfiction author in search of big commercial success.
Over 50,000 books are published in America each year, the vast majority nonfiction. Even so, many writers are stymied in getting their books published, never mind gaining significant attention for their ideas—and substantial sales. This is the book editors have been recommending to would-be authors. Filled with trade secrets, Thinking Like Your Editor explains:
• why every proposal should ask and answer five key questions;
• how to tailor academic writing to a general reader, without losing ideas or dumbing down your work;
• how to write a proposal that editors cannot ignore;
• why the most important chapter is your introduction;
• why "simple structure, complex ideas" is the mantra for creating serious nonfiction;
• why smart nonfiction editors regularly reject great writing but find new arguments irresistible.
Whatever the topic, from history to business, science to philosophy, law, or gender studies, this book is vital to every serious nonfiction writer.
PUBLISHERS WEEKLY
Two years ago, Betsy Lerner's The Forest for the Trees: An Editor's Advice to Writers offered an editor's-eye guide to aspiring writers of nonfiction. Now come Rabiner, former Basic Books editorial director turned agent, and her husband, Fortunato, a freelance book editor and writer, covering some of the same territory, but also breaking new ground. Wannabe authors might be shocked to hear that a fine writing style usually plays only a tiny role in whether a proposal becomes a book. Instead, according to the authors, the freshness of ideas and the size of the potential audience drive the process the first three rules of book publishing, as stated here, are "audience, audience, audience." In part one, on submissions, the authors discuss how to put together a book proposal and, without sounding self-serving, whether to work through an agent or go solo. In part two, they move to the writing process. Especially welcome here is their discussion of research undergirding all writing: authors and publishers, they note, sometimes become too lax about accuracy in nonfiction. Part three discusses how authors and editors (both in-house and freelance) can work together well. They offer a necessary tonic in advice about the importance of establishing a good relationship with the editor from day one that includes an author understanding that the editor's world doesn't revolve around one book. A sample proposal accompanied by a sample chapter round out the book nicely. Hopeful writers will be the primary audience for this title, and they will find useful advice on every page, but a secondary audience could include avid consumers of nonfiction who want to understand why some ideas reach book form while others do not.
