The most riveting reads in history meet today's biggest thriller writers in Thrillers: 100 Must-Reads.Edited by David Morrell and Hank Wagner, Thrillers: 100 Must-Reads examines 100 seminal works of suspense through essays contributed by such esteemed modern thriller writers as: David Baldacci, Steve Berry, Sandra Brown, Lee Child, Jeffery Deaver, Tess Gerritsen, Heather Graham, John Lescroart, Gayle Lynds, Katherine Neville, Michael Palmer, James Rollins, R. L. Stine, and many more.Thrillers: 100 Must-Reads features 100 works - from Beowulf to The Bourne Identity, Dracula to Deliverance, Heart of Darkness to The Hunt for Red October - deemed must-reads by the International Thriller Writers organization.Much more than an anthology, Thrillers: 100 Must-Reads goes deep inside the most notable thrillers published over the centuries. Through lively, spirited, and thoughtful essays that examine each work's significance, impact, and influence, Thrillers: 100 Must-Reads provides both historical and personal perspective on those spellbinding works that have kept readers on the edge of their seats for centuries.
Working with a frustratingly broad definition drawn from John Buchan that a thriller "create excitement and quicken the reader's heartbeat" Morrell and Wagner's collection disappoints. Morrell's First Blood was the basis for the Rambo films, and Wagner is a regular contributor to Mystery Scene magazine; they have selected 100 examples of supposedly trendsetting thrillers, each introduced by a contemporary writer of the genre. Beginning with the ancient Greek myth of Theseus and the Minotaur and ending with Dan Brown's 2003 bestseller, The Da Vinci Code, the list includes both obvious and puzzling selections. The introductions are also of varying quality, with the more interesting examples coming from writers who explore their personal connection to the work in question, such as the ingenious parallels Lee Child drew as a boy between the Theseus myth and Ian Fleming's Dr. No, or Duane Swierczynski discovering Donald Westlake's (writing as Richard Stark) Parker series and realizing "it's fun to read about sons of bitches." But the collection lacks cohesion, and too much space is devoted to minibiographies of the writers (which can be easily gleaned elsewhere). Thriller aficionados may find new titles to add to their reading lists; casual fans will be overwhelmed by the broad-stroke approach.