Lt. Kenyon serves his country and the war effort by censoring the crew’s letters home, even if his shipmates hate him for it. But when the crew begin writing about a ghostly vision—a vision impossible to believe but inadvisable to ignore—he must address the danger facing the ship. And he must make a difficult choice that will affect every last man on board.
Like early Ray Bradbury, Rusch has the ability to switch on a universal dark.
—The Times (London)