Turncoat
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3.5 • 4 Ratings
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- $6.99
Publisher Description
“A headlong plunge into dark places and dark minds” from the Edgar Award–winning author of the Gideon Oliver Mysteries (Statesman Journal).
Pete Simon’s all-American life was everything he ever wanted: a good home, a satisfying career, and a marriage still strong and loving after nearly twenty years. But in the days following the assassination of John F. Kennedy, everything is about to change.
It starts with the appearance of an old man at his door, ranting madly about money, death, and forgiveness. The man is a stranger to Pete—but not to his wife, Lily. Only later does the truth come out. The unwelcome visitor was Lily’s father, who she had claimed died during World War II in their native France, executed by the Nazis. The next day, he truly is dead, his savagely beaten body washed up in a nearby marsh—and Lily disappears, leaving behind only a brief, enigmatic note asking Pete not to look for her. Now, with a business card from an antiques dealer in Barcelona as his only lead, Pete sets out on a twisted and perilous journey that will carry him to places where the hideous crimes of the Nazis remain fresh in the minds of those who cannot forget . . . or forgive. But each door Pete opens leads him deeper into a painful and shocking past that threatens everything he holds most dear. And suddenly he has become more than a confused and distraught husband; the bitter truths that he uncovers one by one in the search for Lily now make him—and her—the targets of desperate, dangerous men and their terrifying vengeance.
PUBLISHERS WEEKLY
Best known for the witty, Francophiliac Gideon Oliver mystery series, Elkins here delivers a stand-alone thriller that probes wartime guilt from multiple angles. For history professor Pete Simon and his French-born wife, Lily, Brooklyn in 1963 is worlds away from the horrors of WWII. But when Lily's father, Marcel Vercier, turns up on their doorstep begging her to view an old film, the Simons' cozy life combusts. Lily had always maintained that her father had been shot by the Nazis in 1943; now, caught in her lie and troubled by unfathomable other secrets, she refuses to answer Pete's urgent questions. Before the Simons can see the film, Vercier is murdered, and masked thugs break into their apartment, demanding to have it. Lily hands it over, then disappears, leaving Pete a cryptic note about needing "space." Feeling like a sap, Pete decides to find her anyway, flying to Barcelona, where Vercier was apparently partner in an antiques dealership. A tough interview with the dead man's cagey co-partner, Charles Lebrun, reveals little about the film, the murder or Lily's whereabouts, but it does enlighten Pete as to Vercier's wartime collaboration with Nazi occupiers. As Pete delves deeper into Vercier's past, he learns painful truths about Lily's family, finally concluding, "When it comes to making blanket moral judgements about people please, leave me out of it." Some of the characters are sketchy, particularly Lily, who never amounts to more than an incredible simulation of Leslie Caron. The plot takes familiar paths, with an ending that ties up matters rather too neatly, especially given Pete's hard-earned tolerance for moral relativity. Still, this first-person novel captivates, largely because Pete's voice, a garlicky mix of France and Brooklyn, always sounds just right. 5-city West Coast author tour.
