Vacation
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5.0 • 1 Rating
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- $14.99
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- $14.99
Publisher Description
An “enthralling headscratcher of a first novel . . . weaves an intricate tale of quests and escapes” as a man follows his wife who follows a mysterious stranger (Publishers Weekly).
Deb Olin Unferth’s award-winning debut novel is “an off-kilter ode to obsession” with a “richly textured, often surprising linguistic landscape” (The Rumpus). In it, a man named Myers has noticed that his wife has suddenly become suspiciously absent in the evenings. He decides to start following her on her evening escapades, hoping to discover her betrayal. Instead, he soon discovers she is following a man named Gray, who happens to be a former classmate of Myers, and whose own marriage is falling apart.
What follows is an unusual, unsettling, and wildly entertaining novel by the acclaimed author of Minor Robberies. With deadpan humor and skewed wordplay, Deb Olin Unferth weaves a mystery of hope and heartbreak.
Winner of the Cabell First Novel Award.
PUBLISHERS WEEKLY
In this enthralling headscratcher of a first novel, Unferth (the story collection Minor Robberies) weaves an intricate tale of quests and escapes, of leaving and following. As a child, Myers falls out of a window, shattering his skull and unknowingly living the rest of his life with a misshapen head. Years later, he follows his wife, who spends her evenings following a man she doesn't know. The man, whom Myers identifies as a former classmate of his named Gray, is unaware that he is being doubly tracked. The marriages of both men fall apart, and Myers finds himself on "vacation," traveling in search of Gray while Gray's ex-wife and daughter look for him, too. The problem is that "Gray does not know where Gray is." If this all sounds puzzling, it is; still, with grace and skill, Unferth manages to weave together the most far-fetched of events. A subplot involving a dolphin "untrainer" and a woman in search of her birth father is distracting, and Unferth's wordplay can verge on the excessive, but a poignancy emerges in spite of Unferth's post-modern indulgences.
