Venice

Marko Pogacnik researched the inner meaning of patterns in Venice. His tools for this inner work—the science of intuition—included the classic four elements of earth, water, air and fire; the Chinese polarity of yin and yang; and the alchemical concept of creation as the wedding of feminine and masculine. In the process, Pogacnik found that nothing in Venice is happenstance, including its shape, which suggests a giant fish; its general layout, architecture, and location; the locations of palaces and places of worship; and even Venetian works of art. The hidden path is revealed when the author brings the results of his intuitive research together with rational modes of perception.