Void Moon
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4,2 • 630 notes
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- 9,99 $US
Description de l’éditeur
New York Times bestselling author Michael Connelly writes novels of brilliantly original suspense. In this electrifying tour de force, he takes us into a world of extremes: too much criminality, too much money, and too many ways to die.
In L.A. Cassie Black is another beautiful woman in a Porsche: except Cassie just did six years in prison and still has "outlaw juice" flowing in her veins. Now Cassie is returning to her old profession, taking down a money man in Vegas. But the perfect heist goes very wrong, and suddenly Cassie is on the run--with a near-psychotic Vegas "fixer" killing everyone who knew about the job. Between Cassie and the man hunting her are a few last secrets: like who really set up the job, why Cassie had to take the change, and how, in the end, it might all be a matter of the moon...
PUBLISHERS WEEKLY
Cassie Black, a resourceful ex-con, plans to burgle the Las Vegas casino's high roller suite where, five years before, a previous attempt resulted in her arrest and the death of her lover. It's an intriguing premise, and L.J. Ganser delivers a mesmerizing and nuanced performance. In creating Jack Karch, the bon vivant Vegas private eye who moonlights as a hit man, Ganser settles on a genial, almost charming delivery, underplaying the character's sinister psychopathology and adding to the suspense. As hunted and hunter race across the twists and turns of the novel's shadowy landscape, author and reader combine to make all the right moves. A Grand Central hardcover.
Avis d’utilisateurs
Good but a little Sad.
4 Stars. This one was different from what I have come to expect from Connelly. Actually , kind of a different book than anything I have read. Original. Good. I find myself wondering if there will ever be more of Cassidy Black. I’m not aware that Connelly ever writes more about her. I’d read it though.
Cassie
Great, strong, smart female character. Loved her thought processes.
Awesome early Connelly
Cassie Black is the best. I loved this early Connelly installment. Sans Bosch or Haller and it was great