Acclaimed by critics and readers on its first publication in 1987, winner of the Locus Award for Best First Novel, Emma Bull's War for the Oaks is one of the novels that has defined modern urban fantasy.
Eddi McCandry sings rock and roll. But her boyfriend just dumped her, her band just broke up, and life could hardly be worse. Then, walking home through downtown Minneapolis on a dark night, she finds herself drafted into an invisible war between the faerie folk. Now, more than her own survival is at risk—and her own preferences, musical and personal, are very much beside the point.
By turns tough and lyrical, fabulous and down-to-earth, War for the Oaks is a fantasy novel that's as much about this world as about the other one. It's about real love and loyalty, about real music and musicians, about false glamour and true art. It will change the way you hear and see your own daily life.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Originally published by Ace in 1987, this reprint of a minor fantasy cult classic should attract new readers with its appealing and unusual blend of the world of rock and roll performers with the coexistent world of Faerie. Guitarist and singer Eddi McCandry has just left a floundering band and is organizing a new one when a phouka, a man who at times is a talking dog, becomes her guardian at the behest of the Faerie Folk. Eddi soon finds herself involved with warring Faerie groups, the Seelie Court and its noble queen versus the Unseelie Court, ruled by the evil Queen of Air and Darkness. The Seelie Court has chosen Eddi because there's "power in a mortal soul that all of Faerie cannot muster." Eddi's tart humor helps lend reality. When the phouka says, "Forth to honor and glory," she responds, "Get stuffed." For many readers, the fey qualities of the wispy fantasy may be enough; Eddi even labels her new band Eddi and the Feys. The strength of the novel, however, is in the nonfantasy scenes. These demonstrate a sure knowledge of rock music and the field, and contribute to the climax, a struggle between Eddi and the dark queen at a concert. In an appendix of special interest to fans, Bull (Bone Dance, etc.) includes excerpts of a screenplay version of the book she and her husband, Will Shetterly, wrote. A film appears an unlikely bet, but the author's prose portrayal of Faerie infringing on the real world remains an imaginative triumph.
Customer ReviewsSee All
Some folk have songs, we have this story.
The Phouka to Eddi is as Peter Wimsey is to Harriet Vane, to a certain extent.
Great take on the music-is/as-magic theme in an old battle between two sides of Sidhe.