Who says words need to be concrete? This collection shapes poems in surprising and delightful ways.
Concrete poetry is a perennially popular poetic form because they are fun to look at. But by using the arrangement of the words on the page to convey the meaning of the poem, concrete or shape poems are also easy to write! From the author of the incredibly inventive Lemonade: And Other Poems Squeezed from a Single Word comes another clever collection that shows kids how to look at words and poetry in a whole new way.
Raczka (Lemonade) returns to the subject of concrete poetry with a virtuoso gathering of 21 poems, in which he plays with the layout and form of both the poems and their titles. (Not to be left out, the table of contents is shaped into a T, and the copyright information forms a copyright symbol.) Raczka sets a high bar with the first poem, "Takeoff," in which the airborne T in the title becomes the Wright brothers' airplane, with the playful accompanying poem ("Wright on course, headed for heaven./ One two three four five six seven") a small hill below. Elsewhere, mazes, dominoes, pencil erasers, and the subway ("a citified-just-slide-inside-and-take-a-ride electric mole") provide ample fodder for Raczka's inspired typographical experiments: in a recipe-style tribute to icicles, "Mother Nature's freeze pops," the spacing between letters makes some of the vertically oriented lines appear to drip. This is arguably Raczka's best poetry work to date. Ages 8 12.