What Have We Here?
Portraits of a Life
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- $14.99
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- $14.99
Publisher Description
NEW YORK TIMES BESTSELLER • A film legend recalls his remarkable life of nearly eight decades—a heralded actor who's played the roles he wanted, from Brian’s Song to Lando in the Star Wars universe—unchecked by the racism and typecasting so rife in the mostly all-white industry in which he triumphed.
“Effortlessly charming. . . [Williams] writes with clarity and intimacy, revealing the person behind the persona.” —Maya S. Cade, The New York Times Book Review
“The story of a legend, written by the legend himself! Impressive, inspiring, entertaining and endearing.” —J. J. Abrams
Billy Dee Williams was born in Harlem in 1937 and grew up in a household of love and sophistication. As a young boy, he made his stage debut working with Lotte Lenya in an Ira Gershwin/Kurt Weill production where Williams ended up feeding Lenya her lines. He studied painting, first at the High School of Music and Art, with fellow student Diahann Carroll, and then at the National Academy of Fine Art, before setting out to pursue acting with Herbert Berghoff, Stella Adler, and Sidney Poitier.
His first film role was in The Last Angry Man, the great Paul Muni’s final film. It was Muni who gave Billy the advice that sent him soaring as an actor, “You can play any character you want to play no matter who you are, no matter the way you look or the color of your skin.” And Williams writes, “I wanted to be anyone I wanted to be.”
He writes of landing the role of a lifetime: co-starring alongside James Caan in Brian’s Song, the made-for-television movie that was watched by an audience of more than fifty million people. Williams says it was “the kind of interracial love story America needed.”
And when, as the first Black character in the Star Wars universe, he became a true pop culture icon, playing Lando Calrissian in George Lucas’s The Empire Strikes Back (“What I presented on the screen people didn’t expect to see”). It was a role he reprised in the final film of the original trilogy, The Return of the Jedi, and in the recent sequel The Rise of Skywalker.
A legendary actor, in his own words, on all that has sustained and carried him through a lifetime of dreams and adventure.
APPLE BOOKS REVIEW
Actor Billy Dee Williams has been charming audiences for decades, and his memoir makes it easy to understand why. In his trademark easygoing way, Williams takes us on the journey from his childhood in 1930s Harlem to his international success in Hollywood. We never even realized he’d enjoyed a successful decade on Broadway before pursuing a film career—or that, in addition to acting, he’s also an admired painter. And, of course, we were excited to hear Williams describe what it was like to not only play but develop the legendary Star Wars character Lando Calrissian. (Though his stories about fans who seemed to think he was Lando were a little scary!) Williams even gives a few salacious details about his many affairs during his headier days, but he also isn’t afraid to interrogate bigger issues, like racism in Hollywood. Reading Williams’ tale makes for a truly out-of-this-world time.
PUBLISHERS WEEKLY
Eighty-six-year-old Star Wars actor Williams provides a candid look back at his life and career in this genial debut memoir. Williams grew up in New York City in the 1940s and landed his first role, at seven years old, via his mother, who worked as a secretary for a Broadway producer. Bigger stage roles soon followed, and he eventually succeeded James Earl Jones as the lead in the original Broadway production of August Wilson's Fences in 1988. Williams's breakout film role was opposite Diana Ross in 1972's Lady Sings the Blues, in which his charm and good looks led the press to dub him "the Black Clark Gable." Following that success, he turned down several roles in Blacksploitation films, fearing they'd "put in a box," and his career stalled until George Lucas's desire to racially diversify the Star Wars series led to Williams being cast as Lando Calrissian in 1980's The Empire Strikes Back. Williams ruminates on his professional triumphs, disappointments (including being passed over for the role of Harvey Dent in Tim Burton's Batman), and friendships (he counted Laurence Olivier and James Baldwin among his peers), as well as his three failed marriages and his love of painting. Even as he catalogs losses and missteps, Williams writes with the panache and suavity that characterize his screen presence. The result is a heartfelt Hollywood self-portrait.