Praise for Karen Joy Fowler:
"No contemporary writer creates characters more appealing, or examines them with greater acuity and forgiveness."—Michael Chabon
"Fowler's witty writing is a joy to read."—USA Today
World Fantasy Award Winner
In her moving and elegant new collection, New York Times bestseller Karen Joy Fowler writes about John Wilkes Booth's younger brother, a one-winged man, a California cult, and a pair of twins, and she digs into our past, present, and future in the quiet, witty, and incisive way only she can.
The sinister and the magical are always lurking just below the surface: for a mother who invents a fairy-tale world for her son in "Halfway People"; for Edwin Booth in "Edwin's Ghost," haunted by his fame as "America's Hamlet" and his brother's terrible actions; for Norah, a rebellious teenager facing torture in "The Pelican Bar" as she confronts Mama Strong, the sadistic boss of a rehabilitation facility; for the narrator recounting her descent in "What I Didn't See."
With clear and insightful prose, Fowler's stories measure the human capacities for hope and despair, brutality and kindness. This collection, which includes two Nebula Award winners, is sure to delight readers, even as it pulls the rug out from underneath them.
Karen Joy Fowler (karenjoyfowler.com) is the author of five novels, including Wit's End, PEN/Faulkner finalist Sister Noon, and New York Times bestseller The Jane Austen Book Club. Her collection Black Glass won the World Fantasy Award. Fowler and her husband, who have two grown children, live in Santa Cruz, California.
The bestselling author of The Jane Austen Book Club goes genre-busting in this engrossing and thought-provoking set of short stories that mix history, sci-fi, and fantasy elements with a strong literary voice. Whether examining the machinations of a Northern California cult, in "Always," or a vague but obviously horrific violent act in the eerie title story, the PEN/Faulkner finalist displays a gift for thrusting familiar characters into bizarre, off-kilter scenarios. Fowler never strays from the anchor of human emotion that makes her characters so believable, even when chronicling the history of epidemics, ancient archeological digs, single family submersibles, or fallen angels. She even displays a keen understanding of the historical world around Lincoln's assassin, John Wilkes Booth, in two wonderfully realized historical pieces. Her writing is sharp, playful, and filled with insights into the human condition. The genre shifts might surprise fans of her mainstream hit, but within these pages they'll find familiar dramas and crises that entertain, illuminate, and question the reality that surrounds us.