Whites
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A collection of short stories from the National Book Award-winning author of Mating • "Powerful and original...always convincingly authentic. The ironies keep cutting in new directions." —The New York Times
Whether they are Americans, Brits, or a stubborn and suicidally moral Dutchman, Norman Rush’s whites are not sure why they are in Botswana. Their uncertainty makes them do odd things.
Driven half-mad by the barking of his neighbor’s dogs, Carl dips timidly into native witchcraft—only to jump back out at the worst possible moment. Ione briskly pursues a career as a “seducer” (“A seductress was merely someone who was seductive and who might or might not be awarded a victory. But a seducer was a professional”), while her dentist husband fends off the generous advances of an African cook.
Funny, sad, and deeply knowing, polished throughout to a diamond glitter, Whites is a magnificent collection of stories.
PUBLISHERS WEEKLY
The most extraordinary aspect of these stories set in Botswana is the absolute authenticity of each of the narrative voices. All are stripped, even severe, but readers will easily distinguish among them. The narrator in "Bruns,'' a fanatic determined to impose his own moral code on the Boers, who hate him, is distinctively different from the character Frank, ``Alone in Africa'' while his wife is on vacation, leaving him to a bottle of good Riesling and the quirky sexual ministrations of a nubile Botswanan. The heartbreak of everyday tragedy, as evoked in ``Near Pala'' by three women in the drought-parched land beseeching the passengers in a car for water, is heightened by a joltingly ironic ending. Most moving of all, speaking as it seems from the heart of Africa, is the voice of Mokgalagadi, the righteous boy born of a tribe destined for misfortune and thrown out of his mission school. At once innocent and disingenuous, he protests against thieving, yet is saved by thieves, begs on behalf of God, yet is reduced to begging from the houses of God. It is wonderful to hear the click of African syllables in counterpoint to the genteel English of petty officials. In their variety, their pointblank aim, their refusal to editorialize, these six stories raise the curtain on the dark, restless drama of present-day Africa. March 3
