Wordsworth's Bardic Vocation, 1787-1842

From 1787 to 1842, Wordsworth is preoccupied with the themes of loss and death, and with "natural piety" in the lives of people and nations. Beginning with his consciousness of the Bards and Druids of Cumbria, this book treats Wordsworth's oeuvre, including the "Gothic" juvenilia, The Ruined Cottage, Lyrical Ballads, Poems in Two Volumes, The Excursion, and the Poems of 1842, as unified by a Bardic vocation, to bind "the living and the dead" and to nurture "the kind".



Wordsworth’s Bardic Vocation, the most comprehensive critical study of the poet since the 1960s, presents the poet as balladist, sonneteer, minstrel, elegist, prophet of nature, and national bard. The book argues that Wordsworth’s uniquely various oeuvre is unified by his sense of bardic vocation. Like Walt Whitman or the bards of Cumbria, Wordsworth sees himself as 'the people’s remembrancer'. Like them, he sings of nature and endurance, laments the fallen, and fosters national independence and liberty. His task is to reconcile in one society 'the living and the dead' and to nurture both 'the people' and 'the kind'.



Part One is a comprehensive account of Wordsworth’s early interest and later researches into antiquarian matters and includes readings of The Vale of Esthwaite, An Evening Walk, Yew-Trees and the pagan sonnets that introduce Ecclesiastical sonnets.

Part Two considers the Salisbury Plain poems, The Ruined Cottage, Lyrical Ballads and the enlightenment ideas about nature underlying The Poem upon the Wye.

Part Three explores elegiac Wordsworth in the Lucy poems, his creation of archetypal heroes (Michael, the Discharged Soldier, the Leech-Gatherer) to people the Cumbrian landscape, and Wordsworth’s reconfiguration of manliness in such poems as Brougham Castle, Hart-Leap Well and The White Doe of Rylstone.

Part Four examines The Excursion, the political sonnets, The Convention of Cintra, the Waterloo poems, and the 1842 publication of The Borderers and Guilt and Sorrow.