Year of the Rat
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- $9.99
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- $9.99
Publisher Description
2017 American Book Award Winner
Winner of the FC2 Ronald Sukenick Innovative Fiction Prize
Marc Anthony Richardson’s Year of the Rat is a poignant and riveting literary debut narrated in an unabashedly exuberant voice.
In Year of the Rat, an artist returns to the dystopian city of his birth to tend to his invalid mother only to find himself torn apart by memories and longings. Narrated by this nameless figure whose rants, reveries, and Rabelaisian escapades take him on a Dantesque descent into himself, the story follows him and his mother as they share a one-bedroom apartment over the course of a year.
Despite his mother’s precarious health, the lingering memories of a lost love, an incarcerated sibling, a repressed sexuality, and an anarchic inability to support himself, he pursues his dream of becoming an avant-garde artist. His prospects grow dim until a devastating death provides a painful and unforeseeable opportunity. With a voice that is poetic and profane, ethereal and irreverent, cyclical and succinct, he roams from vignette to vignette, creating a polyphonic patchwork quilt of a family portrait.
PUBLISHERS WEEKLY
The unnamed narrator of Richardson's first novel returns to his unspecified home city to live with and care for an ailing mother in a cramped apartment. Over the course of a year, readers watch him navigate a return to his own history. The narrator's older brother is obsessed with status and religion and his younger brother is in jail; he himself is a failing artist and an alcoholic, and possibly has other mental health issues. Like Gogol's Poprishchin, the narrator is combative, racist, judgmental, self-hating, misogynistic, and overtly sexual. He makes decisions based on a code that is difficult to understand. Richardson has found a way to describe in words the inability to understand other people he uses dense prose that circles on itself and leaps from present to flashback, depicting a muddled mind at work. Richardson effortlessly weaves quotes from a wealth of other texts into his work, creating in his narrator a sort of human callback to Western culture, or an embodiment of Ezra Pound's Cantos. The novel is certainly challenging, but once readers enter the story it's easy to be swept into its stormy momentum, and to acknowledge the very promising start of the author's career.