#FashionVictim
A Novel
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- USD 16.99
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- USD 16.99
Descripción editorial
Heathers meets The Devil Wears Prada in this “sick and vicious and funny” thriller set in the cut-throat world of fashion (Caroline Kepnes, New York Times–bestselling author of You)
Fashion editor Anya St. Clair is on the verge of greatness. A to-die-for wardrobe. Killer social media numbers. And the path behind her is littered with the bodies of anyone who got in her way. She’s worked hard to get where she is, but she doesn’t have everything.
Not like Sarah Taft. Anya’s obsession sits one desk away. Beautiful, stylish, and rich, Sarah’s a natural fashion icon. From her beach-wave blonde hair to her on-trend nail art, she’s a walking editorial spread. Anya wants to be her friend. Her best friend. Her only friend.
When Sarah becomes her top competition for a promotion, Anya’s plan to win her friendship goes into overdrive. In order to beat Sarah, she’ll have to become her. Friendly competition may turn fatal, but as they say in fashion: One day you’re in, and the next day you’re dead.
“As awesome as it sounds . . . welcome to the cruel world of fashion where women’s looks, weight, and youth is the only thing to value.” —Book Riot
PUBLISHERS WEEKLY
Akhtar's gleefully bloodthirsty debut sends up the mean girls of the New York fashion industry. Anya St. Clair, whose buzzing, intrusive thoughts lead to violent urges toward anyone who disrespects her, has grown from troubled child to unacceptably chubby style editor at fashion magazine La Vie. Obsessed with becoming the BFF of her perfect, blonde coworker, Sarah Taft, Anya is willing to use everything at her disposal mood boards, spy software, planted evidence, or elimination of the competition to suck up to Sarah or bring the woman down, whichever works. When Anya and Sarah become rivals for a promotion, Anya starts making increasingly unrealistic choices. Akhtar's decision to bring in a detective as a romantic interest only highlights the implausibility of Anya being on the loose. This dark novel has the energy of Heathers gone 20-something and corporate, but its creatively staged revenge murders aren't enough to carry a story marred by shallow stereotypes and an inability to sell its protagonist as simultaneously psychopathic and relatable.
