Digital Frames and Visible Grain: Spatial and Material Reintegration in Irreversible. More Books by Film Criticism

Technically Human: Kubrick's Monolith and Heidegger's Propriative Event (Stanley Kubrick and Martin Heidegger) (Critical Essay) Technically Human: Kubrick's Monolith and Heidegger's Propriative Event (Stanley Kubrick and Martin Heidegger) (Critical Essay)
Technically Human: Kubrick's Monolith and Heidegger's Propriative Event (Stanley Kubrick and Martin Heidegger) (Critical Essay)
2011
Casino Royale and Franchise Remix: James Bond As Superhero (Critical Essay) Casino Royale and Franchise Remix: James Bond As Superhero (Critical Essay)
Casino Royale and Franchise Remix: James Bond As Superhero (Critical Essay)
2009
Off with Hollywood's Head: Sofia Coppola As Feminine Auteur. Off with Hollywood's Head: Sofia Coppola As Feminine Auteur.
Off with Hollywood's Head: Sofia Coppola As Feminine Auteur.
2010
Historical Narrative and the East-West Leitmotif in Milcho Manchevski's Before the Rain and Dust (Critical Essay) Historical Narrative and the East-West Leitmotif in Milcho Manchevski's Before the Rain and Dust (Critical Essay)
Historical Narrative and the East-West Leitmotif in Milcho Manchevski's Before the Rain and Dust (Critical Essay)
2004
Mastering the Real: Trinity As the "Real" Hero of the Matrix (Critical Essay) Mastering the Real: Trinity As the "Real" Hero of the Matrix (Critical Essay)
Mastering the Real: Trinity As the "Real" Hero of the Matrix (Critical Essay)
2003
"You Must Never Listen to This": Lessons on Sound, Cinema, And Mortality from Herzog's Grizzly Man (Werner Herzog) "You Must Never Listen to This": Lessons on Sound, Cinema, And Mortality from Herzog's Grizzly Man (Werner Herzog)
"You Must Never Listen to This": Lessons on Sound, Cinema, And Mortality from Herzog's Grizzly Man (Werner Herzog)
2008
On the Dialectics of Filmic Colors (In General) and Red (In Particular): Three Colors: Red, Red Desert, Cries and Whispers, And the Double Life of Veronique. On the Dialectics of Filmic Colors (In General) and Red (In Particular): Three Colors: Red, Red Desert, Cries and Whispers, And the Double Life of Veronique.
On the Dialectics of Filmic Colors (In General) and Red (In Particular): Three Colors: Red, Red Desert, Cries and Whispers, And the Double Life of Veronique.
2008
Racial Privacy, The L.A. Ensemble Film, And Paul Haggis's Crash (Viewpoint Essay) Racial Privacy, The L.A. Ensemble Film, And Paul Haggis's Crash (Viewpoint Essay)
Racial Privacy, The L.A. Ensemble Film, And Paul Haggis's Crash (Viewpoint Essay)
2006
The Formal Design of Brokeback Mountain (Movie) (Critical Essay) The Formal Design of Brokeback Mountain (Movie) (Critical Essay)
The Formal Design of Brokeback Mountain (Movie) (Critical Essay)
2007
Peter Greenaway Holds Court: An Interview at the Venice Film Festival (Interview) (Critical Essay) Peter Greenaway Holds Court: An Interview at the Venice Film Festival (Interview) (Critical Essay)
Peter Greenaway Holds Court: An Interview at the Venice Film Festival (Interview) (Critical Essay)
2004
Showing off: Laughter and Excessive Disclosure in Burt Reynolds' Star Image (Critical Essay) Showing off: Laughter and Excessive Disclosure in Burt Reynolds' Star Image (Critical Essay)
Showing off: Laughter and Excessive Disclosure in Burt Reynolds' Star Image (Critical Essay)
2005
The Autobiographical Effect in the Cinema of Roman Polanski (Critical Essay) (Biography) The Autobiographical Effect in the Cinema of Roman Polanski (Critical Essay) (Biography)
The Autobiographical Effect in the Cinema of Roman Polanski (Critical Essay) (Biography)
2005
Razors in the Dreamscape: Revisiting A Nightmare on Elm Street and the Slasher Film (Critical Essay) Razors in the Dreamscape: Revisiting A Nightmare on Elm Street and the Slasher Film (Critical Essay)
Razors in the Dreamscape: Revisiting A Nightmare on Elm Street and the Slasher Film (Critical Essay)
2009
The Aesthetics of Violence in Recent Serbian Cinema: Masculinity in Crisis. The Aesthetics of Violence in Recent Serbian Cinema: Masculinity in Crisis.
The Aesthetics of Violence in Recent Serbian Cinema: Masculinity in Crisis.
2006
The Space of Today and the World of Tomorrow: Hybrid Film and Sky Captain and the World of Tomorrow (Digital Cinematography) The Space of Today and the World of Tomorrow: Hybrid Film and Sky Captain and the World of Tomorrow (Digital Cinematography)
The Space of Today and the World of Tomorrow: Hybrid Film and Sky Captain and the World of Tomorrow (Digital Cinematography)
2010
Adding a New Dimension: The 61st International Film Festival Berlin (Festivals) Adding a New Dimension: The 61st International Film Festival Berlin (Festivals)
Adding a New Dimension: The 61st International Film Festival Berlin (Festivals)
2011
In Praise of Godard's in Praise of Love (Critical Essay) In Praise of Godard's in Praise of Love (Critical Essay)
In Praise of Godard's in Praise of Love (Critical Essay)
2003
Writing Himself Into History: Oscar Micheaux, His Silent Films, And His Audiences (Book Review) Writing Himself Into History: Oscar Micheaux, His Silent Films, And His Audiences (Book Review)
Writing Himself Into History: Oscar Micheaux, His Silent Films, And His Audiences (Book Review)
2003
Spectacular Optics: The Deployment of Special Effects in David Cronenberg's Films (Critical Essay) Spectacular Optics: The Deployment of Special Effects in David Cronenberg's Films (Critical Essay)
Spectacular Optics: The Deployment of Special Effects in David Cronenberg's Films (Critical Essay)
2004
The Radical Vision of One-Eyed Jacks (Movie Review) The Radical Vision of One-Eyed Jacks (Movie Review)
The Radical Vision of One-Eyed Jacks (Movie Review)
2004