Haunting and beautiful, Hand Me Down World is the simply unforgettable story by the multi-award winning author of Mister Pip. It was shortlisted for the Commonwealth Writers Prize, Best Book, South East Asia and Pacific, 2011.
A woman washes ashore in Sicily. She has come from north Africa to find her son, taken from her when he was just days old by his father and stolen away to Berlin. With nothing but her maid's uniform and a knife stashed in a plastic bag, she relies on strangers to guide her passage north.
These strangers tell of their encounters with a quiet, mysterious woman in a blue coat-each account a different view of the truth. And slowly these fragments of a life piece together to create a spellbinding story of the courage of a mother and the versions of truth we create to accommodate our lives.
'There are no easy answers in this thoughtful novel. Indeed, much of its intrigue and enjoyment comes from piecing together the story from the myriad voices. Humane and moving, it's a worthy successor to Jones's last novel, the Booker-shortlisted Mister Pip.' Daily Mail
Jones's disturbing but beautifully written account of a wronged mother's long journey to find her son is a near unmitigated downer. An unnamed African woman's story is told by incidental witnesses, beginning with a fellow hotel worker in Tunisia who relates the story of her seduction by a German hotel guest, her pregnancy, and the abduction of the baby by her seducer. He has her sign papers at the hospital and leads her to believe he will take her and the baby with him back to Germany but instead abandons her and takes the baby. The unnamed woman sets out on a harrowing quest a few years later, nearly dying in her attempt to get into Europe. Then, with the cloudily motivated help of various strangers, she finds her way to Berlin, where her son lives with his craven father, whose greed and selfishness are almost a relief when contrasted with the subtler humiliating crimes of the other players. Learning all this history through the perspective of secondary characters has a frustrating effect, further marginalizing an already obscenely oppressed woman. When Ines an assumed name, the only one the unnamed woman is ever given at last has her turn to speak, there is little satisfaction. She seems at times simple and goodhearted and at other times, an unintelligent martyr. Even allowing for her being traumatized, her passive reactions to being sexually coerced, arrested, and denied access to her son are not easily justified. For his dedication to moral complexity and his wholly unsentimental portrayal of an outsized tragedy, though, Jones (Mister Pip) deserves praise.