In Between Days
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- $17.99
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- $17.99
Publisher Description
In Between Days is Andrew Porter's long-awaited follow-up to the critically acclaimed short-story collection The Theory of Light and Matter.
Elson is drinking to numb the pain of his broken marriage. His ex-wife lies in a stranger's bed, lonely and waiting for dawn. Their son Richard, a young gay poet, is stunted by a fear of artistic failure. And then there is Chloe. The daughter. The one in love. The one in trouble with the law. The one on the run.
This is a novel about the vagaries of love and family, about betrayal and forgiveness, about the possibility and impossibility of coming home.
A graduate of Iowa Writers' Workshop, Andrew Porter has received a Pushcart prize, a James Michener/Copernicus Fellowship, and the W. K. Rose Fellowship in the Creative Arts. His award-winning fiction has appeared in One Story, Epoch, The Threepenny Review, and on NPR's Selected Stories. He teaches at Trinity University in San Antonio, Texas. The Theory of Light and Matter won the Flannery O'Connor Award for Short Fiction.
'He has the kind of voice one can accept as universal—honest and grave, with transparency as its adornment.' Marilynne Robinson
'One of those rare writers whose work I will hunt down for as long as he's alive and writing.' Nick Earls
PUBLISHERS WEEKLY
Crises approach from all sides for the Harding family in Porter's (The Theory of Light and Matter) debut novel set in contemporary Houston, Tex. Architect father Elson, bitterly divorced from Cadence, struggles to stay connected to his much younger Filipina girlfriend, Lorna, while his children become unmoored. Son Richard, a gifted poet recently graduated from college, is living at home with his mother, tumbling into drugs and self-loathing as he figures out what to do with his life. Tipping the fragile family balance into chaos is the sudden return of daughter Chloe, who has taken an involuntary leave of absence from college after a potentially criminal connection to an incident involving her mysterious boyfriend Raja. Chloe's abrupt disappearance soon after her arrival disrupts everyone as it soon becomes clear that Chloe will do anything for love. The improbable plot progresses through the perspective of each major family member with backward glimpses into the origins of the family's current troubles and gestures to a potential future, but with the exception of Elson, the characters and their relationships are rarely convincing. And when a central conflict revolves around whether 20-something Richard will get an M.F.A. in poetry, any tension easily dissipates. The prose, while extremely competent, is excessive, with long passages of unnecessary dialogue, unnecessary exposition, and unconvincing interior monologues. An ambitious but ultimately disappointing look at a dysfunctional modern family.