The 22 Murders of Madison May
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- $12.99
Publisher Description
'If at first you don't succeed, try, try again.'
In Queens, New York, 22-year-old real estate agent Madison May is showing a house. The buyer, a man she's never met, is friendly, engaging . . . and claims to be her soulmate from a parallel life. She's in danger, he tells her. He's come to save her.
Later that day, newspaper journalist Felicity Staples is assigned to report on Madison May's murder. Discontent with her own life, Felicity finds herself drawn into a shocking conspiracy involving a powerful group who have harnessed the ability to slip between lives - to move between one version of reality to another.
On the run, turned into an imposter in her own life, Felicity is forced to seek the truth behind Madison May, the woman who is murdered over and over, in different ways, wherever she goes. For only by saving Madison May can Felicity reassemble the broken pieces of herself.
'With unrelenting tension, Max Barry weaves a complex tapestry where a sociopath's insatiable obsession knows no bounds, not even time and space, and only two things are certain - he will kill her again because he's killed her before. I devoured this novel in one sitting.' J.D. Barker, author of A Caller's Game
'A crime thriller that tripped and fell through a manhole and into the multiverse. It's frenetic and funny and gut-wrenching by turns, and I absolutely could not put it down. You need to read this book. Do it. Do it now.' Edward Ashton, author of The End of Ordinary
'Beware Max Barry. Once his story grabs hold, you will forget to eat, sleep, and bathe until you're left with the world's worst book hangover. An exhilarating rocket shot of a thriller tempered with Barry's trademark wit and warmth.' David Yoon, author of Version Zero
APPLE BOOKS REVIEW
Hooking us right from the opening scene, Australian author Max Barry takes readers along for a playful, fast-paced ride with this genre-bending novel. After New York journalist Felicity Staples stumbles into a different dimension while investigating a young woman’s death, a high-concept murder mystery plays out across the entire multiverse (think Sliding Doors meets Happy Death Day.) Equal parts smart and breezy, the zigzagging story hinges on a killer who’s hunting down the title character in every possible reality. Meanwhile, Felicity’s grip on her own sense of self becomes more and more tenuous as she navigates a heady obstacle course of alternate existences.
PUBLISHERS WEEKLY
At the start of this middling SF thriller from Barry (Providence), Madison May, a 22-year-old New York City real estate agent, shows a prospective client, creepy college dropout Clayton Hors, a dilapidated house in Queens. Hors tells Madison, "I'm not from this world," before fatally stabbing her. New York Daily News reporter Felicity Staples, who's assigned the story of Madison's murder, notes a resemblance between an image at the crime scene and a logo on the hat of a man she saw outside the house for sale, later identifying that logo as belonging to a juice company. Before Felicity can learn more, she encounters the bystander on a subway platform, only to have him push her onto the tracks. Felicity survives, but she's somehow shifted to an alternate world slightly different from her own. After finding out that Madison was killed in this world as well, Felicity embarks on a desperate quest to return to her own reality and stop future murders of Madison in multiple parallel universes. The characterizations are uninspired, and Barry fails to make Felicity's response to her mind-bending situation psychologically plausible. Hopefully, this talented author will return to form next time.
Customer Reviews
Interesting
I enjoyed this story
Good plot but characters seem a bit shallow
Really interesting concept and the plot was good. I personally found the characterisation of the two main female characters a bit stereotypical and cliche (the actress thinks of the world in movie tropes and the disenfranchised journalist decides to take matters into her own hands), it took a while to invest in these characters and even then I didn’t really care what happened to them, I just wanted to see how it ended up for the bad guy.