From the bestselling Sunday Times author of The Goodbye Man, discover Jeffery Deaver's thrilling series that is now a major NBC TV series.
Can Lincoln Rhyme catch a diabolical killer in a world of truth and lies?
A killer flees the scene of a homicide at a prestigious Manhattan music school and locks himself in a classroom. Within minutes, the police have him surrounded.
A scream rings out, followed by a gunshot.
The police break down the door.
The room is empty.
Perplexed, the police bring in Lincoln Rhyme and Amelia Sachs to investigate. For the ambitious Sachs, solving the case could earn her a promotion. For the quadriplegic Rhyme, it means relying on his protégé to ferret out a master illusionist. Dubbed The Conjurer, this fiendish killer baits them with murders that become more and more diabolical with every crime.
As the fatalities rise and the minutes tick down, the pair must move beyond the smoke and mirrors to prevent a terrifying act of vengeance that could become the greatest vanishing act of all.
'Deaver is the master puzzler' Sunday Telegraph
Fans of Deaver know that he works storytelling magic in his thrillers, not just the Lincoln Rhyme tales (The Stone Monkey, etc.) but also the stand-alones (The Blue Nowhere, etc.). It's fitting, then, that in his new, giddily entertaining story about quadriplegic crime fighter Rhyme, he casts as his villain a professional illusionist and an apprentice magician as assistant to Rhyme and Rhyme's cop sidekick lover, Amelia Sachs. The novel opens with the murder of a young female student at a music school on Manhattan's Upper West Side. Caught in the act, the killer vanishes from a sealed room. Forensic and eyewitness clues point to a culprit with magic training; looking for expert help, Sachs encounters an aspiring illusionist, who goes by the stage name of Kara, who agrees to help her and Rhyme. The villain revealed in passages from his POV as "Malerick," soon identified as a world-class magician with a serious ax to grind commits further mayhem (including an attack on Rhyme), which looks like steps toward an act of consummate revenge. A subplot about a white power demagogue's attempt to assassinate the Manhattan D.A. who's prosecuting him grows to involve Malerick, giving the storyline twists and twists and twists, through Deaver's masterful sleight of hand. Further subplots concerning Sachs's attempt to attain a sergeant's ranking, and Kara's relationship with her stroke-addled mother, as well as the customary difficulties of Rhyme's condition, add ballast to the gyrating main story line, rich in magic lore and lingo. This is prime Deaver.