Cross Channel
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- R$ 32,90
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- R$ 32,90
Descrição da editora
From the bestselling, Booker Prize-winning author of The Sense of an Ending, his first collection of short stories explores the vast divide between England and France. • “A witty, playful and ironic writer at the top of his form." —San Francisco Chronicle
In this collection, Barnes explores the narrow body of water containing the vast sea of prejudice and misapprehension which lies between England and France with acuity, humor, and compassion. For whether Barnes's English characters come to France as conquerors or hostages, laborers, athletes, or aesthetes, what they discover, alongside rich food and barbarous sexual and religious practices, is their own ineradicable Englishness. The ten stories that make up Cross Channel introduce us to a plethora of intriguing, original, and sometimes ill-fated characters.
Elegantly conceived and seductively written, Cross Channel is further evidence of Barnes's wizardry.
PUBLISHERS WEEKLY
On the heels of Barnes's essay collection Letters from London, which included a searing account of Britain's xenophobic anxiety over 1994's ceremonial opening of the "Chunnel," comes this wonderfully wry short-story collection (his first) chronicling Britain's vexed relations with the French over the last 300 years. By turns dolorously indignant and wickedly funny, these 10 stories depict the manners, prejudices and historical purview of Brits traveling or living in France. The narrator of "The Experiment," a giddy literary mystery reminiscent of the author's novel Flaubert's Parrot, speculates about whether his hapless Uncle Freddy was an unnamed participant in Andre Breton's "famously unplatonic" sexual experiments. In "Evermore," a British proofreader, grieving 50 years later for the brother she lost in WW I, travels among the neglected French burial grounds, despairing over Europe's tendency to forget its own recent history. The closing story, "Tunnel," a thinly autobiographical account of a 60-ish man riding the Eurostar train directly from London to Paris in the year 2015 and reflecting on a life's worth of traveling, gracefully ties together the collection. Other pieces, like the somber "Dragons," about soldiers occupying a Huguenot village in the 17th century, and "Brambilla," a vernacular narrative by a working-class cyclist riding in the Tour de France, lack the dry, hectoring wit that enlivens most of the work here. But the entirety reads like an unusually fine Baedeker, exploring with great polish and nuance the vagaries of culture and personality that divide two unlikely bedfellows in an increasingly homogenous European community.
