THE BOOK BEHIND THE THIRD SEASON OF GAME OF THRONES, AN ORIGINAL SERIES NOW ON HBO.
Here is the third volume in George R. R. Martin’s magnificent cycle of novels that includes A Game of Thrones and A Clash of Kings. As a whole, this series comprises a genuine masterpiece of modern fantasy, bringing together the best the genre has to offer. Magic, mystery, intrigue, romance, and adventure fill these pages and transport us to a world unlike any we have ever experienced. Already hailed as a classic, George R. R. Martin’s stunning series is destined to stand as one of the great achievements of imaginative fiction.
A STORM OF SWORDS
Of the five contenders for power, one is dead, another in disfavor, and still the wars rage as violently as ever, as alliances are made and broken. Joffrey, of House Lannister, sits on the Iron Throne, the uneasy ruler of the land of the Seven Kingdoms. His most bitter rival, Lord Stannis, stands defeated and disgraced, the victim of the jealous sorceress who holds him in her evil thrall. But young Robb, of House Stark, still rules the North from the fortress of Riverrun. Robb plots against his despised Lannister enemies, even as they hold his sister hostage at King’s Landing, the seat of the Iron Throne. Meanwhile, making her way across a blood-drenched continent is the exiled queen, Daenerys, mistress of the only three dragons still left in the world. . . .
But as opposing forces maneuver for the final titanic showdown, an army of barbaric wildlings arrives from the outermost line of civilization. In their vanguard is a horde of mythical Others--a supernatural army of the living dead whose animated corpses are unstoppable. As the future of the land hangs in the balance, no one will rest until the Seven Kingdoms have exploded in a veritable storm of swords. . . .
Though it boasts a risque title and cunning cover art, the majority of the stories and essays collected here put the emphasis on the "Me," rather than the "Do." Having first appeared in the literary journal Tin House, these pieces vary widely in terms of structure as well as quality; Michel Lowenthal's "You Don't See the Other Person Looking Back" is one of the book's strongest entries, an engrossing tale of a sighted gay man who embarks on a cruise with blind gay passengers, but it's all too short. Nicholas Montemarano's skillful metafiction "Make Believe" and Denis Johnson's story "Xmas in Las Vegas" are two more strong points; other pieces don't fare so well. Dylan Landis' "Jazz," a short story about a young girl sexually assaulted by a family friend, feels sophomoric, and Mark Jude Poirer's "I, Maggot" seems more interested in impressing the reader with symbolism and imagery than titillating, or even telling a story. Readers interested in literary pyrotechnics and Carver-esque ruminations on the everyday will probably get a great deal out of the book, but those looking for a literary roll in the hay will be disappointed.
Nothing but good things to say about this series.
Why does he always have to kill main characters
STOP once you finished this book
Story is good up to the end of this book but it turns into a waste of time in feast for crow and then into a piece of crap made only to milk money in dance with dragons.
If you value your time and money stop right here because you will be amazed in how stupidly long and boring and cliche it will continue.