Another Life
A Memoir of Other People
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- $12.99
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- $12.99
Publisher Description
In his remarkable memoir, at once frank, audacious, canny, and revealing, Michael Korda, the author of Charmed Lives and Queenie, does for the world of books what Moss Hart did for the theater in Act One, and succeeds triumphantly in making publishing seem as exciting (and as full of great characters) as the stage.
Another Life is not just an adventure--the engaging and often hilarious story of a young man making his career--but the insider's story of how a cottage industry metamorphosed into a big business, with sometimes alarming results for all concerned.
Korda writes with grace, humor, and a shrewd eye, not only about himself and his rise from a lowly (but not humble) assistant editor reading the "slush pile" of manuscripts to a famous editor in chief of a major publishing house, but also about the celebrities and writers with whom he worked over four decades.
Here are portraits--rare, intimate, always keenly observed--of such larger-than-life figures as Ronald Reagan, affable and good-natured but the most reluctant of authors, struggling with his "ghosted" presidential autobiography; Richard Nixon, seen here as a genial, if bizarrely detached, host; superagent Irving Lazar, pursuing his endless deals and dreams of "class"; retired Mafia boss Joseph Bonanno, the last of the old-time dons, laboring over his own version of his life in his desert retreat; Joan Crawford, giving Korda her rules for successful living; and countless other greats, near greats, and would-be greats.
Here too are famous writers, sometimes eccentric, sometimes infuriating, sometimes lost souls, captured memorably by someone who was close to them for years: Graham Greene, in pursuit of his FBI file and a Nobel Prize; Tennessee Williams, wrestling unsuccessfully with his demons; Jacqueline Susann, facing and conquering the dreaded "second-novel syndrome" after the stunning success of Valley of the Dolls; Harold Robbins (who had to be guarded under lock and key and made to finish his novels), struggling to keep the IRS at bay from the deck of his yacht; Carlos Castaneda, at his most sorcerously charming, described--at last--in detail, as he really was, by one of the few people who knew him well; not to mention Richard Adams, Will and Ariel Durant, Susan Howatch, S. J. Perelman, Fannie Hurst, Larry McMurtry, and many, many more.
Parts of this book that have appeared in The New Yorker over the years have brought Korda great acclaim--the chapter about Jacqueline Susann has been made into a major motion picture. Here at last, entertaining and provocative and always hugely readable, is the whole story--a book as engaging and full of life as Korda's highly acclaimed memoir of his family, Charmed Lives, about which Irwin Shaw wrote: "I don't know when I have enjoyed a book more."
PUBLISHERS WEEKLY
Readers of the New Yorker will already have encountered some choice passages from this gloriously funny, charming and ultra-readable book: those that deal with Jacqueline Susann (soon to be the basis of a movie), Irving (Swifty) Lazar and two noted S&S authors, Richard Nixon and Ronald Reagan--though neither of their books sold nearly as well as those of their editor, the present author. It is a piece of hoary folk wisdom that books about publishing don't sell, because the people most interested don't have to buy books, and the people who do buy aren't interested. If any book can give that old saw the lie, this is the one. A more candid, engaging and warmly knowledgeable survey of the past 40 years of American publishing cannot be imagined. From the time he joined the firm that was to become his life, at the end of the 1950s, Korda saw the business change almost beyond recognition, from a cozy occupation performed almost like a hobby to one where stakes were almost as high as Hollywood's and the market ruled. Korda creates for himself a persona of guileless innocence coupled with quiet sophistication, and it works wonders in his countless trenchant character studies of S&S's founding family and such colleagues as editor-in-chief Bob Gottlieb and CEO Richard Snyder. His picture of Snyder, though it does not disguise the man's less agreeable aspects, is arguably too sunny, but most people of whom he writes are as entertaining as characters in an endless comic novel. Korda even treats his own work--which has embraced such major hits as Charmed Lives, Queenie and Power!--with bemusement, quite without vanity and rather as an excuse to poke fun at author tours and the perils of overnight success. Nobody who loves the book business with Korda's hopeless and enduring passion can fail to be delighted and touched by this endearing saga. Long may he edit. First serial to the New Yorker.