My Avant-Garde Education
A Memoir
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- $27.99
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- $27.99
Publisher Description
A wry and beautifully observed memoir about coming of age in the era of conceptual art.
Growing up in the suburbs—confused about his sexuality, about his consumer-oriented world, about the death of his older brother—Bernard Cooper falls in love with Pop art and sets off for the California Institute of the Arts, the center of the burgeoning field of conceptual art, in this beguiling memoir. The most famous, and infamous, artists of the time drift through the place, including Allan Kaprow and John Baldessari, not to mention the student who phones the Identi-Kit division of the Los Angeles Police Department and has them make a composite drawing of the Mona Lisa.
My Avant-Garde Education is at once an artist's coming-of-age story and a personal chronicle of the era of conceptual art, from a writer "of uncommon subtlety and nuance" (David Ulin, Los Angeles Times). It is a record of the wonders and follies of a certain era in art history, always aware that awakening to art is, for a young person, inseparable from awakening to the ever-shifting nature of the self.
PUBLISHERS WEEKLY
In this lively memoir, art critic and writer Cooper (The Bill from My Father), winner of the PEN/Hemingway award, retraces his youth, up to and including the period of his intellectual awakening during the heyday of conceptual art, and vividly recalls his experiences as a son, brother, student, and closeted young gay man. Alternately funny and touching, the book chronicles Cooper's adolescence in 1960s Los Angeles, including the moment he fell in love with pop art in his middle school library, and his young adulthood in New York, where he studied at the School of Visual Arts in New York City, as well as the years he spent studying under the likes of Allan Kaprow and the poet and visual artist Emmett Williams at CalArts. Throughout, Cooper draws interesting connections between his suppressed sexuality and the period's radical reexamination of the art object, observing, "The stronger and more tangible my longing for men, the more adamantly I crusaded for art's dematerialization." Offbeat characters and comic incidents richly animate Cooper's narrative, as do his recollections of compelling seminars and performance pieces at CalArts. Toward the end of the memoir, short chapters offer a glimpse into his career as an art critic and writer, as well as the losses he suffered during the AIDS epidemic. Readers interested in conceptualism will especially value these personal reflections during such a critical moment in the recent history of art.
