Every Day is for the Thief
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- 9,99 €
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- 9,99 €
Beschreibung des Verlags
A young man decides to visit Nigeria after years of absence. Ahead lies the difficult journey back to the family house and all its memories; meetings with childhood friends and above all, facing up to the paradox of Nigeria, whose present is as burdened by the past as it is facing a new future.
Along the way, our narrator encounters life in Lagos. He is captivated by a woman reading on a danfo; attempts to check his email are frustrated by Yahoo boys; he is charmingly duped buying fuel. He admires the grace of an aunty, bereaved by armed robbers and is inspired by the new malls and cultural venues. The question is: should he stay or should he leave?
But before the story can even begin, he has to queue for his visa..
Every Day is for the Thiefis a striking portrait of Nigeria in change. Through a series of cinematic portraits of everyday life in Lagos, Teju Cole provides a fresh approach to the returnee experience.- See more at: http://www.cassavarepublic.biz/products/every-day-is-for-the-thief#sthash.qe7r4oNv.dpuf
PUBLISHERS WEEKLY
Novelist Cole's Open City brought him international attention, but this novel, first published in Nigeria and now currently being republished in the U.S. and the U.K., was actually his first. Set in contemporary Lagos, Nigeria, the novel follows a nameless narrator's visit to his homeland after a lengthy stay in the United States. Estranged from his mother and unemotional about his father's death, the protagonist seeks his humanity and redemption in art. Cole's crisp language captures how Lagos the home of numerous Internet scams and frequent power cuts possesses a violence that both disgusts his protagonist and fascinates him. With journalism-like objectivity, Cole by way of his narrator details a Nigeria that is violent and corrupt, but also multi-cultural and alive. This pared-down writing style comes at the cost of character development. (For example, the narrator's training as a psychiatrist is never really explored.) As a result, the novel reads more like a beautiful work of creative nonfiction. The structure is loose, a collection of observances of daily life in Lagos in which Cole presents the complexities of culture and poverty. In addition, Cole sprinkles dramatic black-and-white photos throughout the book, but it's his willingness to explore so many uncomfortable paradoxes that sears this narrative into our brains.
