Just After Sunset
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4.0 • 1 Rating
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- 5,99 €
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- 5,99 €
Publisher Description
'A gripping and satisfyingly scary' (Sunday Telegraph) bumper collection of RIVETING, DARK STORIES from the No. 1 bestselling master of the form, now with a stunning new cover look.
Just after sunset, as darkness grips the imagination, is the time when you feel the unexpected creep into the every day. As familiar journeys take a different turn, ordinary objects assume extraordinary powers.
A blind intruder visits a dying man - and saves his life, with a kiss.
A woman receives a phone call from her husband. Her late husband.
In the emotional aftermath of her baby's sudden death, Emily starts running. And running. Her curiosity leads her right into the hands of a murderer . . . and soon her legs are her only hope for survival.
Enter a world of masterful suspense, dark comedy and thrilling twists which will keep you riveted from the first page.
Enter the world of No. 1 bestseller Stephen King.
Stories include:
-Willa
-The Gingerbread Girl
-Harvey's Dream
-Rest Stop
-Stationary Bike
-The Things They Left Behind
-Graduation Afternoon
-N.
-The Cat from Hell
-The New York Times at Special Bargain Rates
-Mute
-Ayana
-A Very Tight Place
PUBLISHERS WEEKLY
In the introduction to his first collection of short fiction since Everything's Eventual (2002), King credits editing Best American Short Stories (2007) with reigniting his interest in the short form and inducing some of this volume's contents. Most of these 13 tales show him at the top of his game, molding the themes and set pieces of horror and suspense fiction into richly nuanced blends of fantasy and psychological realism. "The Things They Left Behind," a powerful study of survivor guilt, is one of several supernatural disaster stories that evoke the horrors of 9/11. Like the crime thrillers "The Gingerbread Girl" and "A Very Tight Place," both of which feature protagonists struggling with apparently insuperable threats to life, it is laced with moving ruminations on mortality that King attributes to his own well-publicized near-death experience. Even the smattering of genre-oriented works shows King trying out provocative new vehicles for his trademark thrills, notably "N.," a creepy character study of an obsessive-compulsive that subtly blossoms into a tale of cosmic terror in the tradition of Arthur Machen and H.P. Lovecraft. Culled almost entirely from leading mainstream periodicals, these stories are a testament to the literary merits of the well-told macabre tale.
