Lord of the Fire Lands
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- 7,99 €
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- 7,99 €
Beschreibung des Verlags
“Exceptional . . . Duncan can swashbuckle with the best, but his characters feel more deeply and think more clearly than most” (Publishers Weekly).
Raider and Wasp have spent five years at Ironhall studying to become Blades, expert swordsmen whose talents stand unmatched. Magic both enhances the Blades’ fighting skills and binds them to lifelong duty. But when Raider and Wasp are selected to protect the king of Chivial himself, they refuse, an act unprecedented in the living history of the Blades. Now on the run for their “treasonous” act, the two gifted swordsmen must escape to the Fire Lands, where pirates, monsters, and mixed allegiances wait around every corner. As old hatreds and still‑fresh tragedies come to light, these young swashbucklers must confront both harsh truths from the past and a present swarming with their would‑be brothers at arms seeking vengeance and intending punishment. Dave Duncan’s Lord of the Fire Lands serves as a splendid sequel and companion to his earlier book The Gilded Chain, and his later Tale of the King’s Blades Sky of Swords. Engaging and complex, it may be enjoyed as a standalone novel or in combination with the rest of the trilogy. Either way, readers are in for a smart, thrilling adventure that cuts like a knife.
PUBLISHERS WEEKLY
Distinguished by its sophisticated structure and themes, Duncan's exceptional sequel to The Gilded Chain will satisfy both fantasy fans looking for high adventure and those more interested in rich characterizations. For five years Raider and Wasp have been training to become Blades, expert swordsmen who are magically enhanced. But when the two are offered the highest of honors--to serve the king of Chivial himself--they refuse. As Raider's reasons for this unprecedented decision are explored, Duncan flashes back to present the history of the marriage of a "civilized" Chivian duchess to the king of the "barbarous" Baels, who have long terrorized Chivial. Raider and Wasp's rejection of the king has made them outlaws, so they must flee Chivial for Baelmark, where they face a situation explicitly like Hamlet's (king dead, queen mother married to her brother-in-law), though Duncan skillfully develops this section as a genuine, unique drama rather than as an arch reference to the Bard. His depiction of Bael culture, which is based in language and custom on Beowulf's time, is assured and creative, authoritative but without unnecessary ostentation. His Baelish villains may be two-dimensional, but the other characters display an appealing combination of fallibility, morality (of various sorts) and charm. Plot twists based on hidden identities and allegiances are surprising yet well prepared. The interesting magical system features eight elements, adding the evocative Love, Time, Death and Chance to the traditional Earth, Air, Fire and Water. Duncan can swashbuckle with the best, but his characters feel more deeply and think more clearly than most, making his novels, especially this one, suitable for a particularly wide readership.
