More Twisted
Collected Stories, Vol. II
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- 9,99 €
Beschreibung des Verlags
Jeffery Deaver has famously thrilled and chilled fans with tales of masterful villains and the brilliant minds who bring them to justice. Now the author of the Lincoln Rhyme series (The Cold Moon and The Bone Collector) returns with a second volume of his award-winning, spine-tingling short stories of suspense.
While best known for his twenty-four novels, Jeffery Deaver is also a short story master—he is a three-time recipient of the Ellery Queen Reader’s Award for Best Short Story, and he won the Short Story Dagger from the Crime Writers Association for a piece that appeared in his first short story collection, Twisted. The New York Times said of that book: “A mystery hit for those who like their intrigue short and sweet…[The stories] feature tight, bare-bones plotting and the sneaky tricks that Mr. Deaver’s title promises.” The sneaky tricks are here in spades, and Deaver even gives his fans a new Lincoln Rhyme and Amelia Sachs story.
Deaver is back with sixteen stories in the tradition of O. Henry and Edgar Allan Poe. His subjects range from a Westchester commuter to a brilliant Victorian England caper. With these intricately plotted, bone-chilling stories, Jeffery Deaver is at the top of his crime-writing game.
PUBLISHERS WEEKLY
Bestseller Deaver's second story collection (after 2003's "Twisted") is best enjoyed in small doses, since, as the author states in his preface, each of the 16 suspense tales contains a "gut-wrenching twist," a formulaic final reversal that loses its punch with too much repetition. That said, readers will find a number of clever and concise thrillers. The standout, "Born Bad," about a mother waiting in fear for her estranged daughter to kill her, does a superb job of matching up the clues at the beginning with the tale's resolution. Sherlockians will get a kick from a pastiche narrated in third person, "The Westphalian Ring," pitting Holmes against a crafty jewel thief. In an afterword to the tale "Afraid," Deaver ("The Bone Collector") explains how he works the concept of fear into his fiction. "" .
