Oblivion
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- 12,99 €
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- 12,99 €
Beschreibung des Verlags
This acclaimed twenty-first–century Russian novel is "a Dantean descent" into the abandoned Soviet gulags, written "with a clear poetic sensibility" (The Wall Street Journal).
In Sergei Lebedev's debut novel, an unnamed young man travels to the vast wastelands of the Far North to uncover the truth about a mysterious neighbor who once saved his life, and whom he knows only as Grandfather II. What he finds among the forgotten mines and decrepit barracks of former gulags is a world relegated to oblivion, where it is easier to ignore both the victims and the executioners than to come to terms with a terrible past.
This disturbing tale evokes the great and ruined beauty of a land where man and machine work in tandem with nature to destroy millions of lives during the Soviet century. Emerging from today's Russia, where the ills of the past are being forcefully erased from public memory, this masterful novel is an epic literary act of bearing witness, attempting to rescue history from the brink of oblivion.
A Wall Street Journal Top 10 Novel of the Year
"Not since Alexander Solzhenitsyn has Russia had a writer as obsessed as Sergei Lebedev with that country's history or the traces it has left on the collective consciousness . . . The best of Russia's younger generation of writers." ―The New York Review of Books
PUBLISHERS WEEKLY
Lebedev's debut novel evokes, in powerful poetic prose, the Soviet prison work camps of the Arctic north, posing a heartfelt challenge to those who prefer to forget. Like the author, the novel's unnamed narrator is a Russian geologist with a passion for words. The story follows his attempt to uncover the past of an old blind neighbor he calls Grandfather II. No one knows much about Grandfather II, who keeps mostly to himself, his deep attachment to the narrator one notable exception. When, as a boy, the narrator balks at his first haircut, Grandfather II takes charge of the scissors. When the boy encounters a frothing dog, Grandfather II beats it with his cane. When the boy needs a transfusion, Grandfather II gives his blood. After Grandfather II dies, the narrator finds a letter that prompts a journey to Siberia, where he observes cold white expanses scarred by logged forests, used-up mines, deserted barracks, neglected roads, abandoned vehicles. Grandfather II's past is rooted in this landscape: he played a key role at a prison camp quarry. The narrator facing the facts of Grandpa II's life serves as a metaphor for Russians dealing with their sullied heritage. The determination of Kulak laborers, the desperation of a fugitive prisoner, the desolation of an empty library, the tragedy of a boy and his whistle, are among the many images capturing the impoverished state of the land, the people, and the national spirit, left by an unjust and undeniable part of Russian history.
