Victory

Axel Heyst, a wandering gentleman of philosophical detachment, has made a principle of avoiding all entanglement. “I only know that he who forms a tie is lost,” he believes. Drifting through the Malay Archipelago, he is a spectral observer of life—until a single, impulsive act of chivalry shatters his cherished isolation.
He rescues Lena, a young English musician trapped in a predatory traveling orchestra, and retreats with her to his solitary island refuge, Samburan. There, in an abandoned coal station, they attempt to forge a fragile paradise of love and seclusion.
But their sanctuary is an illusion. From the fetid port town of Surabaya, three agents of malice descend upon them: the venomously genteel hotelier Schomberg, driven by a personal grudge; the feral, ape-like brute Pedro; and the terrifying, philosophically sinister “plain Mr. Jones,” a gentleman of crime who believes “the world is a bad dog. It will bite you if you give it a chance.” They come hunting a phantom treasure, but what they truly unleash is a confrontation with the very nature of fear, loyalty, and violence.
In Victory, his final great novel, Joseph Conrad crafts a haunting, atmospheric tale of love and annihilation. It is a profound exploration of the futility of escape, the redeeming power of human connection, and the devastating price of finally taking a stand in a world that respects neither pity nor retreat.