All the Pretty Horses
a classic American Western from the author of No Country for Old Men
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4,0 • 1 note
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- 5,99 €
Description de l’éditeur
A coming-of-age western set on the US-Mexico Border, All the Pretty Horses is the first instalment of Cormac McCarthy's acclaimed Border Trilogy.
‘His prose takes on an almost biblical quality, hallucinatory in its effect and evangelical in its power' – Stephen King, author of the Dark Tower series
‘One of the greatest American novels of this or any time’ – Guardian
1949. At sixteen years-old, John Grady Cole is the last bewildered survivor of long generations of Texas ranchers. Finding himself cut off from the only life he has ever wanted, he sets out for Mexico with his friend Lacey Rawlins. Befriending a third boy on the way, they find a country beyond their imagining: barren and beautiful, rugged yet cruelly civilized; a place where dreams are paid for in blood.
A classic of American literature and a grand love story, Cormac McCarthy's novel is about the passing of childhood, of innocence and a vanished American age.
Adapted into a film starring Matt Damon and Penélope Cruz.
All the Pretty Horses is followed in the Border Trilogy by The Crossing and Cities of the Plain.
Part of the Picador Collection, a series showcasing the best of modern literature.
PUBLISHERS WEEKLY
This is a novel so exuberant in its prose, so offbeat in its setting and so mordant and profound in its deliberations that one searches in vain for comparisons in American literature. None of McCarthy's previous works, not even the award-winning The Orchard Keeper (1965) or the much-admired Blood Meridian (1985), quite prepares the reader for the singular achievement of this first installment in the projected Border Trilogy. John Grady Cole is a 16-year-old boy who leaves his Texas home when his grandfather dies. With his parents already split up and his mother working in theater out of town, there is no longer reason for him to stay. He and his friend Lacey Rawlins ride their horses south into Mexico; they are joined by another boy, the mysterious Jimmy Blevins, a 14-year-old sharpshooter. Although the year is 1948, the landscape--at some moments parched and unforgiving, at others verdant and gentled by rain--seems out of time, somewhere before history or after it. These likable boys affect the cowboy's taciturnity--they roll cigarettes and say what they mean--and yet amongst themselves are given to terse, comic exchanges about life and death. In McCarthy's unblinking imagination the boys suffer truly harrowing encounters with corrupt Mexican officials, enigmatic bandits and a desert weather that roils like an angry god. Though some readers may grow impatient with the wild prairie rhythms of McCarthy's language, others will find his voice completely transporting. In what is perhaps the book's most spectacular feat, horses and men are joined in a philosophical union made manifest in the muscular pulse of the prose and the brute dignity of the characters. ``What he loved in horses was what he loved in men, the blood and the heat of the blood that ran them,'' the narrator says of John Grady. As a bonus, Grady endures a tragic love affair with the daughter of a rich Spanish Hacendado , a romance, one hopes, to be resumed later in the trilogy.
