The Passenger
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- 7,49 €
Description de l’éditeur
The best-selling, Pulitzer Prize–winning author of The Road returns with the first of a two-volume masterpiece: The Passenger is the story of a salvage diver, haunted by loss, afraid of the watery deep, pursued for a conspiracy beyond his understanding, and longing for a death he cannot reconcile with God.
Look for Stella Maris, the second volume in The Passenger series, on sale December 6th, 2022
1980, PASS CHRISTIAN, MISSISSIPPI: It is three in the morning when Bobby Western zips the jacket of his wet suit and plunges from the Coast Guard tender into darkness. His dive light illuminates the sunken jet, nine bodies still buckled in their seats, hair floating, eyes devoid of speculation. Missing from the crash site are the pilot’s flight bag, the plane’s black box, and the tenth passenger. But how? A collateral witness to machinations that can only bring him harm, Western is shadowed in body and spirit—by men with badges; by the ghost of his father, inventor of the bomb that melted glass and flesh in Hiroshima; and by his sister, the love and ruin of his soul.
Traversing the American South, from the garrulous barrooms of New Orleans to an abandoned oil rig off the Florida coast, The Passenger is a breathtaking novel of morality and science, the legacy of sin, and the madness that is human consciousness.
PUBLISHERS WEEKLY
McCarthy returns 16 years after his Pulitzer-winning The Road with a rich story of an underachieving salvage diver in 1980 New Orleans, the first in a two-volume work. Bobby Western, son of a nuclear physicist who worked on the atomic bomb, is tasked with investigating a private plane crash in the Gulf. The plane's crew is dead, the black box is missing, and one passenger is unaccounted for. Soon, agents of the U.S. government begin to harass Western and his coworker, then this colleague turns up dead. This thriller narrative is intertwined with the story of Western's sister, Alicia, a mathematical genius who had schizophrenia and died by suicide. In flashbacks of Alicia's hallucinations, vaudevillian characters perform for her—most notably, a character named the Thalidomide Kid. Alicia and the Kid engage in numerous conversations about arcane philosophy, theology, and physics—staples of the philosopher-tramps, vagabonds, and sociopaths of McCarthy's canon, though their presence doesn't feel quite as thematically grounded as they do in his masterworks. Still, he dazzles with his descriptions of a beautifully broken New Orleans: "The rich moss and cellar smell of the city thick on the night air. A cold and skullcolored moon.... At times the city seemed older than Nineveh." The book's many pleasures will leave readers aching for the final installment.
