The Sisters Brothers
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4,0 • 1 note
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- 17,99 €
Description de l’éditeur
Now a major film starring Jaoquin Phoenix, John C. Reilly, Jake Gyllenhal and Riz Ahmed.
Shortlisted for the 2011 Man Booker Prize, deWitt's dazzlingly original second novel is a darkly funny, offbeat western about a reluctant assassin and his murderous brother.
Hermann Kermit Warm is going to die. Across 1000 miles of Oregon desert his assassins, the notorious Eli and Charlies Sisters, ride - fighting, shooting, and drinking their way to Sacramento. But their prey isn't an easy mark, the road is long and bloody, and somewhere along the path Eli begins to question what he does for a living - and whom he does it for.
The Sisters Brothers pays homage to the classic Western, transforming it into an unforgettable ribald tour de force. Filled with a remarkable cast of losers, cheaters, and ne'er-do-wells from all stripes of life-and told by a complex and compelling narrator, it is a violent, lustful odyssey through the underworld of the 1850s frontier that beautifully captures the humor, melancholy, and grit of the Old West and two brothers bound by blood, violence, and love.
PUBLISHERS WEEKLY
Dewitt's bang-up second novel (after Ablutions) is a quirky and stylish revisionist western. When a frontier baron known as the Commodore orders Charlie and Eli Sisters, his hired gunslingers, to track down and kill a prospector named Herman Kermit Warm, the brothers journey from Oregon to San Francisco, and eventually to Warm's claim in the Sierra foothills, running into a witch, a bear, a dead Indian, a parlor of drunken floozies, and a gang of murderous fur trappers. Eli's deadpan narration is at times strangely funny (as when he discovers dental hygiene, thanks to a frontier dentist dispensing free samples of "tooth powder that produced a minty foam") but maintains the power to stir heartbreak, as with Eli's infatuation with a consumptive hotel bookkeeper. As more of the brothers' story is teased out, Charlie and Eli explore the human implications of many of the clich s of the old west and come off looking less and less like killers and more like traumatized young men. With nods to Charles Portis and Frank Norris, DeWitt has produced a genre-bending frontier saga that is exciting, funny, and, perhaps unexpectedly, moving.
