The Sweet Far Thing
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- 7,49 €
Description de l’éditeur
The gripping conclusion to the critically acclaimed New York Times bestselling Gemma Doyle trilogy, an exhilarating and haunting saga from the author of The Diviners series and Under the Same Stars.
"A rare treat . . . beautifully crafted."--People
It has been a year of change since Gemma Doyle arrived at the foreboding Spence Academy. Her mother murdered, her father alaudanum addict, Gemma has relied on an unsuspected strength and has discovered an ability to travel to an enchanted world called the realms, where dark magic runs wild. Despite certain peril, Gemma has bound the magic to herself and forged unlikely new alliances. Now, as Gemma approaches her London debut, the time has come to test these bonds.
The Order—the mysterious group her mother was once part of—is grappling for control of the realms, as is the Rakshana. Spence's burned East Wing is being rebuilt, but why now? Gemma and her friends see Pippa, but she is not the same. And their friendship faces its gravest trial as Gemma must decide once and for all what role she is meant for.
"A huge work of massive ambition.” —Publishers Weekly, Starred Review
A Publishers Weekly Best Book of the Year
A #1 Book Sense Bestseller
A New York Times Bestseller
A Publishers Weekly Bestseller
A USA Today Bestseller
A 2008 New York Public Library Book for the Teen Age
CCBC Choice (Cooperative Children’s Book Center at the University of Wisconsin-Madison)
PUBLISHERS WEEKLY
The concluding volume in the trilogy begun in A Great and Terrible Beauty is a huge work of massive ambition, an undertaking that involves the plaiting and tying off a dozen plot threads impending war in the realms and heroine Gemma Doyle's control of its magic being the central thread but, perhaps, not the most interesting. In chronicling Gemma's first year at Spence Academy, Bray has, over three books, widened her canvas from finishing school to fin-de-si cle London, weaving in the defining movements of the era labor strikes over factory conditions, suffrage, the "radical" Impressionists just across the Channel, even fashion trends like bloomers for women daring enough to ride bicycles. Gemma is both buffeted and bolstered by her exposure to these developments, and readers experience how they shape her burgeoning understanding of who she is and who she may become. Some of Gemma's struggle is about power. As exalted as she is within the realms for her role as High Priestess of the secret society, her "otherness" marks her as unsuitable for proper Victorian circles. Gemma chafes not only at the physical constraints of a corset but at the myriad restrictions placed on women. Her quest is to break free, but at what cost? Bray poses these vital questions without sacrificing the gothic undertones of the previous volumes the body count is high, and the deaths, gruesome. That creepiness is balanced by the fully realized company of players, including the insufferable headmistress, Mrs. Nightwing, the acid-tongued Felicity Worthington, hunky heartthrob Kartik and, of course, Gemma herself, a heroine readily embraced. Ages 14-up.
