Narcissus in Chains
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4.8 • 39 Ratings
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- £5.49
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- £5.49
Publisher Description
An Anita Blake, Vampire Hunter, novel
'Something in the look on my face must have frightened him, because his eyes widened, and I saw something like human fear cross his reptilian face.'
I'm Anita Blake and I kill monsters. The last thing I want to think about though when I get home after a night out is work. But someone has abducted a wereleopard from the Narcissus in Chains club.
It's a dark world out there with shapeshifter crime and were-creature struggles. I may not have seen Jean-Claude, the Vampire Master of the City, for six months, but I need his help now, whatever the consequences. Someone is targeting the lycanthropes and we have to save them.
PUBLISHERS WEEKLY
Bestseller Hamilton's Anita Blake, police consultant, executioner, necromancer, private eye and wereleopard protector, returns in her amorous 10th adventure, driven more by conflicting desires for the lovers she neglected in her last outing, Obsidian Butterfly (2000), than by the urge to solve any mystery. Once again, in a world where vampires and werecreatures are protected by law, Blake attempts to resolve her libido's constant crisis. Plunged into the netherworld of a leather D/S (dominant/submissive) bar, Narcissus in Chains, by the abduction of one of her inherited wereleopards, Blake finds herself deep into shapeshifter politics and a were creature power struggle that is all a metaphor for her own inner struggle. Whom should she choose werewolf Richard or vampire Jean-Claude? Or should she take a new lover? Who cares? Blake is eventually infected by the "ardeur" from the vampire clan and tinged with shapeshifting abilities from the were clan. As she becomes more like the fantastic creatures she protects or kills, she, alas, doesn't get any more interesting as a character. Her obsessions with lust serve mainly to overwhelm a rickety plot. Blake needs to put her clothes back on and get back to work. Too much flesh and not enough plot leads to the old but so true saying, "Less is more."
