The Vault
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3.9 • 31 Ratings
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- £0.99
Publisher Description
The twenty-fourth book to feature the classic crime-solving detective, Chief Inspector Wexford.
The impossible has happened. Chief Inspector Reg Wexford has retired from the crime force. He and his wife, Dora, now divide their time between Kingsmarkham and a coachhouse in Hampstead, belonging to their actress daughter, Sheila.
Wexford takes great pleasure in his books, but, for all the benefits of a more relaxed lifestyle, he misses being the hand of the law.
But a chance meeting in a London street, with someone he had known briefly as a very young police constable, changes everything. Tom Ede is now a Detective Superintendent, and is very keen to recruit Wexford as an adviser on a mysterious murder case.
The bodies of two women and a man have been discovered in the old coal hole of an attractive house in St John's Wood. None of the corpses carry identification. But the man's jacket pockets contain a string of pearls, a diamond and a sapphire necklace as well as other jewellery valued in the region of £40,000.
To Wexford, this is definitely a case worth coming out of retirement for. He is intrigued and excited by the challenge, but unaware that this new investigative role will bring him into extreme physical danger...
PUBLISHERS WEEKLY
In Rendell's fine follow-up to A Sight for Sore Eyes (1999), a non-Wexford novel in which a working-class aesthete's quest for beauty earned him an ugly, unexpected end, horror strikes the home improvement plans of Martin and Anne Rokeby. The couple are seriously disconcerted to discover multiple bodies in varying states of decay in a long-forgotten vault beneath their London garden. In the art world, the Rokebys' address is famous as the setting of a '70s-era masterpiece, Marc and Harriet in Orcadia Place, a painting depicting a rock star and his girlfriend. Though Inspector Wexford has retired, the police soon summon him to help solve this most gothic case. Has more than one killer used the vault as a body dump? Rendell's recent style can feel a bit anemic when contrasted with that of A Sight for Sore Eyes, and she populates this sequel with people who resemble sketches rather than vivid, complex characters. Still, this easily outshines most of the competition on either side of the Atlantic.
