The Clockmaker's Daughter
A Haunting, Historical Country House Mystery
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- 5,99 €
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- 5,99 €
Publisher Description
From the bestselling author of The House at Riverton and The Forgotten Garden, Kate Morton brings us her trademark mix of secrets, lies, and haunting, intricately layered mysteries. Set across the Victorian era and present day, The Clockmaker's Daughter is a perfect summer read.
My real name, no one remembers.
The truth about that summer, no one else knows.
Summer, 1862. Abandoned as a child, Birdie grew up in the hands of a mysterious stranger, becoming by turns a thief, a friend, a muse and a lover. Shortly after her eighteenth birthday, she retreats with a group of artists to Birchwood Manor – a beautiful house on a quiet bend of the Upper Thames. The scene is idyllic but, one hot afternoon, a gunshot rings out. A woman is killed, another disappears, and the truth of what happened slips through the cracks of time.
2017. Over one hundred years later, Birchwood Manor has welcomed many newcomers – but guards its secrets closely. That is, until another young woman is drawn to the house. And, as the mystery begins to unravel, we discover the stories of those who have passed through Birchwood Manor since that fateful day in 1862 . . .
‘The Clockmaker’s Daughter is an ambitious, complex, compelling historical mystery with a fabulous cast of characters. This is Kate Morton at her very best’ – Kristin Hannah, bestselling author of The Nightingale
PUBLISHERS WEEKLY
Morton (The Lake House) explores the tangled history of people and place in her outstanding, bittersweet sixth novel. In contemporary London, Elodie, a young archivist, encounters among her employer's collection a satchel, a photographic portrait, and a sketch of a country house. The sketch, in particular, arouses Elodie's professional curiosity and her memories, since it bears close resemblance to a house figuring heavily in the magical stories her late mother once told her. The trail of Elodie's research spurred by her discovery that the sketch depicts an actual place is woven together with tales of the house's various denizens between 1862 and the present, as well as with the voice of a spirit who haunts its walls. This specter who remains nameless for most of the novel is the clock maker's daughter of the title, abandoned as a young girl, trained as a pickpocket, and eventually chosen as an artist's muse, but possessing an artist's eye of her own. The novel's central mystery focuses on the circumstances of her abrupt disappearance in the 19th century, entangled with the abduction of a priceless jewel, the murder of the artist's fianc e, and the artist's personal and professional collapse. At the novel's emotional core, however, is the intersection of lives across decades, united, as the ethereal narrator suggests, by a shared experience of "loss that ties them together." In addition to love not only romantic love but also love between parents and siblings and loss, the stories, brilliantly told by Morton, offer musings on art, betrayal, and the ways in which real lives and real places can evolve over time into the stuff of legends.
