Station Eleven
a post-apocalyptic tale of survival and hope, now an HBO Max series
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4.1 • 21 Ratings
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- €1.99
Publisher Description
One of The New York Times 100 Best Books of the 21st Century.
An atmospheric novel set in the eerie days of civilization's collapse. Emily St John Mandel's Station Eleven is now an HBO Max original TV series.
One snowy night in Toronto famous actor Arthur Leander dies on stage whilst performing the role of a lifetime. That same evening a deadly virus touches down in North America. The world will never be the same again.
Twenty years later Kirsten, an actress in the Travelling Symphony, performs Shakespeare in the settlements that have grown up since the collapse. But then her newly hopeful world is threatened . . .
If civilization was lost, what would you preserve? And how far would you go to protect it?
The New York Times Bestseller
Winner of the Arthur C. Clarke Award
Longlisted for the Baileys Women's Prize for Fiction
National Book Awards Finalist
PEN/Faulkner Award Finalist
'Disturbing, inventive and exciting, Station Eleven left me wistful for a world where I still live' – Jessie Burton, author of The Miniaturist
'Best novel. The big one . . . stands above all the others' – George R.R. Martin, author of Game of Thrones
Station Eleven is part of the Picador Collection, a series showcasing the best of modern literature.
APPLE BOOKS REVIEW
You’ve never encountered a post-apocalyptic tale quite like Station Eleven, which follows (among other things) a troupe of Shakespearean actors who traverse the blasted American Midwest to keep the spirit of theatre and music alive. Emily St. John Mandel’s fourth novel is sure to put this indie darling on the map. Her writing is startlingly elegant and the interwoven stories of the book’s characters—who yearn for long-gone comforts like TV sitcoms, airplanes and the Internet—seem splendidly and heartbreakingly real.
PUBLISHERS WEEKLY
Few themes are as played-out as that of post-apocalypse, but St. John Mandel (The Lola Quartet) finds a unique point of departure from which to examine civilization's wreckage, beginning with a performance of King Lear cut short by the onstage death of its lead, Arthur Leander, from an apparent heart attack. On hand are an aspiring paramedic, Jeevan Chaudary, and a young actress, Kirsten Raymonde; Leander's is only the first death they will witness, as a pandemic, the so-called Georgia Flu, quickly wipes out all but a few pockets of civilization. Twenty years later, Kirsten, now a member of a musical theater troupe, travels through a wasteland inhabited by a dangerous prophet and his followers. Guided only by the graphic novel called Station Eleven given to her by Leander before his death, she sets off on an arduous journey toward the Museum of Civilization, which is housed in a disused airport terminal. Kirsten is not the only survivor with a curious link to the actor: the story explores Jeevan's past as an entertainment journalist and, in a series of flashbacks, his role in Leander's decline. Also joining the cast are Leander's first wife, Miranda, who is the artist behind Station Eleven, and his best friend, 70-year-old Clark Thompson, who tends to the terminal settlement Kirsten is seeking. With its wild fusion of celebrity gossip and grim future, this book shouldn't work nearly so well, but St. John Mandel's examination of the connections between individuals with disparate destinies makes a case for the worth of even a single life.
