Private Citizens
'The first great millennial novel' New York Magazine.
-
- ¥1,100
-
- ¥1,100
発行者による作品情報
From a brilliant new literary talent comes a sweeping comic portrait of privilege, ambition and friendship - dubbed ‘the first great millennial novel’ by New York Magazine.
From a brilliant new literary talent comes a sweeping comic portrait of privilege, ambition and friendship - dubbed ‘the first great millennial novel’ by New York Magazine.
'A brilliant novel – whip smart, hilarious and entirely engrossing' Emma Cline, author of The Girls
'Tulathimutte is a big talent' Jonathan Franzen, author of Purity
'An eloquent social novel bristling with logic’ Nell Zink, Financial Times, Best Summer Books of 2016
'Tulathimutte is a pervert and a madman and a stone-cold genius’ Carmen Maria Machado, author of In the Dream House
'Tulathimutte is utterly inimitable.' Raven Leilani, author of Luster
'Tulathimutte, undoubtedly one of the foremost fiction writers of his generation, is virtuosic, in the realm of the greats.’ Jia Tolentino, author of Trick Mirror
Capturing the anxious, self-aware mood of young college grads in the noughties, Private Citizens embraces the contradictions of our new century. Call it a gleefully rude comedy of manners, a Middlemarch for Millennials. The novel's four whip-smart narrators – idealistic Cory, Internet-lurking Will, awkward Henrik, and vicious Linda – are torn between fixing the world and cannibalizing it. In boisterous prose that ricochets between humour and pain, the four estranged friends stagger through the Bay Area's maze of tech start-ups, protestors, gentrifiers, karaoke bars, house parties and cultish self-help seminars, washing up in each other's lives once again.
A wise and searching depiction of a generation grappling with privilege and finding grace in failure, Private Citizens is as expansively intelligent as it is full of heart.
*A GUARDIAN BOOK OF THE YEAR 2016 – SELECTED BY JONATHAN FRANZEN*
PUBLISHERS WEEKLY
It's not easy being a Millennial, especially not in Tulathimutte's debut, which traces the rising and falling fortunes of four recent Stanford grads just before the 2008 financial crisis. Cory finds herself unexpectedly at the helm of a Bay Area nonprofit that is as much about assuaging liberal guilt (perhaps especially her own) as it is about fostering genuine change. Linda and Henrik are still recovering in their own unique and thoroughly imperfect ways from their failed love affair, which in many ways defined their college years. And then there's Will, whose virginity has finally been ended by his beautiful girlfriend, Vanya, whose desire for Internet fame may be getting in the way of their relationship. All four of them grapple with the gaps between their early promise and their current less-than-shining realities, and between their individual forms of privilege and the struggles of those around them. The novel's structurally more formal first half is also the more successful; each of its lengthy chapters focuses on one of the four characters and reads almost like a well-developed short story. When their paths begin to cross again in the novel's second half, the plots become more enmeshed but less satisfying. Nevertheless, Tulathimutte exhibits a talent for satire, and a willingness to embrace brutal reality and outright absurdity.
